The modern temper resembles those children in Victor Hugo's romance who,
being left alone with the beautiful and ancient _Horæ_, find no prank so
delightful as to tear from end to end the illuminated text of the book
and its perfect miniatures, clapping their hands as each fair thing
perishes. Nor is there any indication of the advent of anyone who will
take the book of the world from the destroying hands, and save what
still remains of its beauty.
There is, on the contrary, every sign that the future will see a still
greater domination of that rude, cold, and cruel temper which takes
pleasure in innovation and obliteration, and sneers, with contemptuous
conceit, at those who are pained by such acts of desecration. It is the
same sneer, the same leering and self-satisfied snigger, with which it
views the expression and evidence of pity for, and solidarity with, what
it is pleased to call the lower animals.
The Langdale Pikes are being pierced and blasted for iron foundries and
slate quarries. The great forest of La Haye near Nancy is being
destroyed by military fortifications, and by foundries and by factories.
All the valley of the Meuse and the Moselle is sullied with factory
smoke and blasting powder. The Bay of Amalfi and the shore of Posilippo
are defiled by cannon foundries. The Isle of St Elena at Venice is laid
waste to serve as a railway factory. All the Ardennes are scorched and
soiled, and sickened with stench of smoke and suffocating slag. The Peak
Country and the Derwent vales are being scarred and charred for railway
lines, mines, and factories. Amsterdam, so late the Venice of the North,
is becoming an unmeaning mass of modern insignificance and ugliness;
what has been done to the Venice of the South is such outrage that it
might wake Tiziano from under his weight of marble in the Frari Church,
and call the Veronese from his grave.
To destroy Trinity Hospital in London, and place a brewery in its place
is a joy and glory to the modern municipal soul. The Hôtel Dessin in
Calais, made sacred to the name of Laurence Sterne, was a pleasant place
with an arched entrance and a large courtyard, round whose sides the
buildings were grouped; it had vines and greenery of all kinds, and over
the archway were little dormer windows. Behind it stretched fair gardens
of great extent, and beyond these was a theatre belonging to the hotel.
Of late years it had served as a museum for the town, and was thus
preserved intact; now it has been pulled down and razed to the ground,
and a huge commercial school built in its place. The funicular railways
are ruining the whole of the Swiss Alps; the greed of a few speculators
and the irreverent folly of the multitude combine to scar the sides of
the great mountains and gather on their summits troops of gaping
sightseers, to whom the solemnity of the Gletsch Alp or the virginity of
the Jungfrau are of no account.
Public-domain text, read in full here on John Shaqi.
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