The rich man is usually a
complete egotist, whose philanthropy has a political purpose or a social
ambition as its mainspring. A Dargelle may exist, does exist; but he is
one in ten millions. He is legitimate in his place as a character in
romance, but as a character in real life he is met with but very rarely.
There are many social questions and many philosophic theories discussed
in _L'Impérieuse Bonté_. An unkind critic might say that it is rather a
social and philosophic essay than a romance. But in much it conforms to
and fulfils the highest demands of fiction, and the naturalness and
lovableness of the chief personages lend to it throughout the interest
of romance. The mission of Fougeraye in the expenditure of Dargelle's
money introduces, perforce, many phases of social misery. It was
probably to do this that the book was written; but the harmony and
interest of the action of the novel, as a novel, are not sacrificed to
this intention. In these chapters all affectation, all artifice drop
from the style, and the writers become masters of strong, simple and
infinitely touching prose. It is to be regretted that the influence of
their time should ever mislead them into tortuous and strained
exaggerations and archaisms when it is possible for them to write thus
simply and eloquently:--
'The few precious things--the brooch and earrings of Madame
Lamarque, even her wedding-ring, alas! then the china service,
saved with such effort from the fire, with a little rosewood
secrétaire, and two Sèvres vases won at a lottery for charity,
the gift to it of the Empress Eugénie--all disappeared, all
were devoured by the monster Misery. Georges suffered as much
as his parents; his nature was inclined towards the adoration
of relics, of frail things, of the semi-vitality of objects.
* * * * *
'It rained a little; in the shadow of the fortifications the
lamps trembled under gusts of wind; the reflections touched the
wet grass, which seemed for the moment as fresh as the turf of
meadows. Everywhere solitude--solitude filled with a sense of
near and hidden human life in the closed houses from which came
the subdued light of unseen chambers in vague suggestion of
mysterious joys. But there was no living creature out of doors
except in the openings of the ramparts; on the grass, a dog
looking as furtive as a hunting wolf. The boy's eyes gazed at
the sky, at the grass, at the long vista of burning lamps, at
the grey stony road under his feet. A sense of beauty came into
his soul, but a beauty sombre as the psalms of All Saints' Day.
'Beside him his mother carried the mattress which had been
sold; he bore one side of it on his shoulder.
Public-domain text, read in full here on John Shaqi.
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