Poets who are not great, and do not aspire to be so, may touch the chords of memory, may unseal the fountains of tears, may make dead loves arise and smile, and the springs of dead years return, and do this with a line, a verse, a suggestion. This is what Owen Meredith did in his song; so does his friend and comrade in his. There is a strongly virile quality in his verse: it is not epicene, nor ever effeminate; the thoughts are always the thoughts of a man who has felt the hoof of the desert horse cast up the sand of the desert, and seen the circle of the waiting vultures poised in the blue air; and heard 'God's thunder upon Horeb'; who has read his Augustine and Chrysostom on the shores of the Dead Sea, and his Horace and his Herrick lying on the short sheep-cropped grass of Sussex; who knows many a bank whereon the wild thyme grows in lowly Kentish lanes, and has walked with the shades of Dante and of Byron in the marble streets of Ravenna, and under the dying pines of its forest; who has loved and laughed in the artificial passions and mocking mirth of Paris, and has dwelt in the solitudes where the hair tents of the sons of Shem are dark against the east. Mr Henley, in his somewhat autocratic manner, says that a man lives for posterity in proportion as he figures the gestures and sets forth the emotions of his own time. We can none of us judge what posterity may do or say. I fear it will be too engrossed with itself to take much heed of anything which went before it. Or, possibly, there will be no posterity at all, but only a shattered earth; scattered into space by some exploit of that boastful Icarus called Science. But taking Mr Henley's dictum as it stands, is it true, seeing (as its context shows) that he means an Englishman must be judged by what he writes of England? If this were true, where would go the Juan and the Parisina, the Anactoria and the Atalanta in Calydon, the Cenci and the Adonaïs, the Lucille and the Clytemnestra? Scott would be greater than Shelley, and Cowper than Coleridge. The theory will not hold water. Which is the greater play of Shakespeare--'King John' or 'The Tempest'? 'Henry the Fifth' or 'Romeo and Juliet'? 'Richard the Third' or 'Hamlet'? What are esteemed the greatest epics of the human race--Milton's and Dante's--are located in no known province of our narrow sphere, but, in worlds, heavenly and infernal, whither no traveller has gone, save in the spirit. 'Country' is but a restricted boundary for whoever has the vision which sees beyond the ordinary range of men. To the true poet his native land lies wherever what is beautiful can be beloved, or that which is sorrowful needs solace.