Country homes -- Fiction; England -- Fiction; Humorous stories; Intellectuals -- Fiction; Satire
Anne looked up at him, and for answer echoed his “Well?” in another, a
laughing key.
Denis had nothing more, at the moment, to say. Two or three canvases
stood in the corner behind Anne’s chair, their faces turned to the wall.
He pulled them out and began to look at the paintings.
“May I see too?” Anne requested.
He stood them in a row against the wall. Anne had to turn round in her
chair to look at them. There was the big canvas of the man fallen from
the horse, there was a painting of flowers, there was a small landscape.
His hands on the back of the chair, Denis leaned over her. From behind
the easel at the other side of the room Mr. Scogan was talking away.
For a long time they looked at the pictures, saying nothing; or, rather,
Anne looked at the pictures, while Denis, for the most part, looked at
Anne.
“I like the man and the horse; don’t you?” she said at last, looking up
with an inquiring smile.
Denis nodded, and then in a queer, strangled voice, as though it had
cost him a great effort to utter the words, he said, “I love you.”
It was a remark which Anne had heard a good many times before and mostly
heard with equanimity. But on this occasion--perhaps because they had
come so unexpectedly, perhaps for some other reason--the words provoked
in her a certain surprised commotion.
“My poor Denis,” she managed to say, with a laugh; but she was blushing
as she spoke.
CHAPTER XXIV.
It was noon. Denis, descending from his chamber, where he had been
making an unsuccessful effort to write something about nothing in
particular, found the drawing-room deserted. He was about to go out into
the garden when his eye fell on a familiar but mysterious object--the
large red notebook in which he had so often seen Jenny quietly and
busily scribbling. She had left it lying on the window-seat. The
temptation was great. He picked up the book and slipped off the elastic
band that kept it discreetly closed.
“Private. Not to be opened,” was written in capital letters on the
cover. He raised his eyebrows. It was the sort of thing one wrote in
one’s Latin Grammar while one was still at one’s preparatory school.
“Black is the raven, black is the rook,
But blacker the thief who steals this book!”
It was curiously childish, he thought, and he smiled to himself. He
opened the book. What he saw made him wince as though he had been
struck.
Public-domain text, read in full here on John Shaqi.
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