Confronted by a picture, of which I could tell you all the known and presumed history--the date when it was painted, the character of the painter, the influences that had gone to make it what it was--I felt none of that strange excitement and exaltation which is, as I am informed by those who do feel it, the true aesthetic emotion. I felt nothing but a certain interest in the subject of the picture; or more often, when the subject was hackneyed and religious, I felt nothing but a great weariness of spirit. Nevertheless, I must have gone on looking at pictures for ten years before I would honestly admit to myself that they merely bored me. Since then I have given up all attempts to take a holiday. I go on cultivating my old stale daily self in the resigned spirit with which a bank clerk performs from ten till six his daily task. A holiday, indeed! I’m sorry for you, Gombauld, if you still look forward to having a holiday.” Gombauld shrugged his shoulders. “Perhaps,” he said, “my standards aren’t as elevated as yours. But personally I found the war quite as thorough a holiday from all the ordinary decencies and sanities, all the common emotions and preoccupations, as I ever want to have.” “Yes,” Mr. Scogan thoughtfully agreed. “Yes, the war was certainly something of a holiday. It was a step beyond Southend; it was Weston-super-Mare; it was almost Ilfracombe.” CHAPTER XXVI. A little canvas village of tents and booths had sprung up, just beyond the boundaries of the garden, in the green expanse of the park. A crowd thronged its streets, the men dressed mostly in black--holiday best, funeral best--the women in pale muslins. Here and there tricolour bunting hung inert. In the midst of the canvas town, scarlet and gold and crystal, the merry-go-round glittered in the sun. The balloon-man walked among the crowd, and above his head, like a huge, inverted bunch of many-coloured grapes, the balloons strained upwards. With a scythe-like motion the boat-swings reaped the air, and from the funnel of the engine which worked the roundabout rose a thin, scarcely wavering column of black smoke. Denis had climbed to the top of one of Sir Ferdinando’s towers, and there, standing on the sun-baked leads, his elbows resting on the parapet, he surveyed the scene. The steam-organ sent up prodigious music. The clashing of automatic cymbals beat out with inexorable precision the rhythm of piercingly sounded melodies. The harmonies were like a musical shattering of glass and brass. Far down in the bass the Last Trump was hugely blowing, and with such persistence, such resonance, that its alternate tonic and dominant detached themselves from the rest of the music and made a tune of their own, a loud, monotonous see-saw.