Country homes -- Fiction; England -- Fiction; Humorous stories; Intellectuals -- Fiction; Satire
“Not so bad,” she said. But Denis was terribly distressed, and his
emotion was intensified when, looking up at her face, he saw that the
trace of tears, involuntary tears of pain, lingered on her eyelashes.
He pulled out his handkerchief and began to wipe away the dirt from
the wounded hand. The match went out; it was not worth while to light
another. Anne allowed herself to be attended to, meekly and gratefully.
“Thank you,” she said, when he had finished cleaning and bandaging her
hand; and there was something in her tone that made him feel that she
had lost her superiority over him, that she was younger than he,
had become, suddenly, almost a child. He felt tremendously large and
protective. The feeling was so strong that instinctively he put his
arm about her. She drew closer, leaned against him, and so they sat in
silence. Then, from below, soft but wonderfully clear through the still
darkness, they heard the sound of Ivor’s singing. He was going on with
his half-finished song:
“Le lendemain Phillis plus tendre,
Ne voulant deplaire au berger,
Fut trop heureuse de lui rendre
Trente moutons pour un baiser.”
There was a rather prolonged pause. It was as though time were being
allowed for the giving and receiving of a few of those thirty kisses.
Then the voice sang on:
“Le lendemain Phillis peu sage
Aurait donne moutons et chien
Pour un baiser que le volage
À Lisette donnait pour rien.”
The last note died away into an uninterrupted silence.
“Are you better?” Denis whispered. “Are you comfortable like this?”
She nodded a Yes to both questions.
“Trente moutons pour un baiser.” The sheep, the woolly mutton--baa,
baa, baa...? Or the shepherd? Yes, decidedly, he felt himself to be
the shepherd now. He was the master, the protector. A wave of courage
swelled through him, warm as wine. He turned his head, and began to kiss
her face, at first rather randomly, then, with more precision, on the
mouth.
Anne averted her head; he kissed the ear, the smooth nape that this
movement presented him. “No,” she protested; “no, Denis.”
“Why not?”
“It spoils our friendship, and that was so jolly.”
“Bosh!” said Denis.
She tried to explain. “Can’t you see,” she said, “it isn’t...it isn’t
our stunt at all.” It was true. Somehow she had never thought of Denis
in the light of a man who might make love; she had never so much as
conceived the possibilities of an amorous relationship with him. He was
so absurdly young, so...so...she couldn’t find the adjective, but she
knew what she meant.
“Why isn’t it our stunt?” asked Denis. “And, by the way, that’s a
horrible and inappropriate expression.”
“Because it isn’t.”
“But if I say it is?”
“It makes no difference. I say it isn’t.”
“I shall make you say it is.”
“All right, Denis. But you must do it another time. I must go in and get
my ankle into hot water. It’s beginning to swell.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account