Crowds: A Moving-Picture of DemocracyLee, Gerald Stanley
Philosophy
Crowds: A Moving-Picture of Democracy
Lee, Gerald Stanley
Crowds; Social problems
I do not claim that this kind of foolish, helpless caricature of a great
spiritual truth filled me with a great reverence or that it does now.
But it did make me think how things were.
If sugar with this man, like money with a banker, was the one logical
thing the man had to express his religion in, or if what he had had to
express had been really true and fine, or if there had been a true or
fine or great man to express, I do not doubt sugar could have been made
to do it.
One single man with enough money and enough religions skill in human
nature, who would get into the Sugar Trust with some good, fighting,
voting stock, who could make the Sugar Trust do as it would be done by,
would make over American industry in twenty years.
He would have thrown up as on a high mountain, before all American men,
one great specimen, enviable business. He would have revealed as in a
kind of deep, sober apocalypse, American business to itself. He would
have revealed American business as a new national art form, as an
expression of the practical religion, the genius for real things, that
is our real modern temperament in America and the real modern
temperament in all the nations.
Of course it may not need to be done precisely with the Sugar Trust.
The Meat Trust might do it first, or the Steel Trust.
But it will be done.
Then the Golden Rule, one great Golden Rule-machine having been
installed in our trust that knew the most, and was most known, it could
be installed in the others.
Religion can be expressed much better to-day in a stock-holder's meeting
than it can in a prayer-meeting.
Charles Cabot, of Boston, walked in quietly to the Stock-holder's
Meeting of the Steel Trust one day and with a little touch of
money--$2,900 in one hand, and a copy of the _American Magazine_ in the
other, made (with $2,900) $1,468,000,000 do right.
PART THREE
NEWS AND GOVERNMENT
CHAPTER I
OXFORD STREET AND THE HOUSE OF COMMONS
Every now and then when I am in London (at the instigation of some
business man who takes the time off to belong to it), I drop into a
pleasant but other-worldly and absent-minded place called the House of
Commons.
I sit in the windows in the smoking-room and watch the faces of the
members all about me and watch the steamships, strangely, softly,
suddenly--Shakespeare and Pepys, outside on the river, slip gravely by
under glass.
Or I go in and sit down under the gallery, face to face with the
Speaker, looking across those profiles of world-makers in their seats;
and I watch and listen in the House itself. There is a kind of pleasant,
convenient, appropriate hush upon the world there.
Wisdom.
The decorous, orderly machinery of knowledge rolls over one--one listens
to It, to the soft clatter of the endless belt of words.
Public-domain text, read in full here on John Shaqi.
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