It is the men with whom we earn our money who are telling us all relentlessly, silently, what we will have to be like. The men with whom we spend it, who sell things to us, like the department stores, those huge machines of attention, may succeed in getting great sweeps of attention out of crowds at special times, by appealing to men through the unusual and through the stupendous or the successful. But what really counts, and what finally decides what men and what women shall be, what really gets their attention unfathomably, unconsciously, is the way they earn their money. The feeling men come to have about a fact, of its being what it is, helplessly or whether or no--the feeling that they come to have about something, of its being immemorially and innumerably the same everywhere and forever, comes from what they are thinking and the way they think while they are earning their money. It is out of the subconscious and the monotonous that all our little heavens and hells are made. It is our daily work that becomes to us the real floor and roof of living, hugs up under us like the ground, fits itself down over us, and is our earth and sky. The man with whom we earn our money, the man who employs us, his thinking or not thinking, his "I will" and "I won't," are the iron boundaries of the world to us. He is the skylight and the manhole of life. The monotonous, the innumerable and over and over again, one's desk, one's typewriter, one's machine, one's own particular factory window, the tall chimney, the little forever motion with one's hand--it is these, godlike, inscrutable, speechless, out of the depths of our unconsciousness and down through our dreams, that become the very breath and rumble of living to us, domineer over our imaginations and rule our lives. It is decreed that what our Employers think and let us know enough to think shall be a part of the inner substance of our being. It shall be a part of growing of the grass to us, and shall be as water and food and sleep. It shall be to us as the shouts of boys at play in the field and as the crying of our children in the night. To most men Employers are the great doors that creak at the end of the world. It is not the houses that people live in, or the theatres that they go to, or the churches to which they belong, or the street and number--the East End look or the West End look the great city carves on the faces of these men I see in the street--that determines what the men are like. Their daily work lies deeper in them than their faces. One finds one's self as one flashes by being told things in their walk, in the way they hold their hands and swing their feet. And what is it their hands and feet, umbrellas, bundles, and the wrinkles in their clothes tell us about them?