American fiction -- 19th century; Short stories, American
In the _salone_, where the old Count’s portrait hung, I found the
family assembled. Andrea and Gemma sat together, a little pinched, I
thought, but decent and self-contained, like mourners who expect to
inherit. Donna Marianna drooped near them, with something black over her
head and her face dim with weeping. Roberto received me calmly and then
turned to his sister.
“Go fetch my wife,” he said.
While she was gone there was silence. We could hear the cold drip of the
garden-fountain and the patter of rats in the wall. Andrea and his wife
stared out of window and Roberto sat in his father’s carved seat at the
head of the long table. Then the door opened and Faustina entered.
When I saw her I stopped breathing. She seemed no more than the shell of
herself, a hollow thing that grief has voided. Her eyes returned our images
like polished agate, but conveyed to her no sense of our presence. Marianna
led her to a seat, and she crossed her hands and nailed her dull gaze on
Roberto. I looked from one to another, and in that spectral light it seemed
to me that we were all souls come to judgment and naked to each other as to
God. As to my own wrongdoing, it weighed on me no more than dust. The only
feeling I had room for was fear--a fear that seemed to fill my throat and
lungs and bubble coldly over my drowning head.
Suddenly Roberto began to speak. His voice was clear and steady, and I
clutched at his words to drag myself above the surface of my terror. He
touched on the charge that had been made against his wife--he did not say
by whom--the foul rumor that had made itself heard on the eve of their
first parting. Duty, he said, had sent him a double summons; to fight for
his country and for his wife. He must clear his wife’s name before he was
worthy to draw sword for Italy. There was no time to tame the slander
before throttling it; he had to take the shortest way to its throat. At
this point he looked at me and my soul shook. Then he turned to Andrea and
Gemma.
“When you came to me with this rumor,” he said quietly, “you agreed to
consider the family honor satisfied if I could induce Don Egidio to let me
take his place and overhear my wife’s confession, and if that confession
convinced me of her innocence. Was this the understanding?”
Andrea muttered something and Gemma tapped a sullen foot.
“After you had left,” Roberto continued, “I laid the case before Don Egidio
and threw myself on his mercy.” He looked at me fixedly. “So strong was his
faith in my wife’s innocence that for her sake he agreed to violate the
sanctity of the confessional. I took his place.”
Marianna sobbed and crossed herself and a strange look flitted over
Faustina’s face.
There was a moment’s pause; then Roberto, rising, walked across the room to
his wife and took her by the hand.
“Your seat is beside me, Countess Siviano,” he said, and led her to the
empty chair by his own.
Gemma started to her feet, but her husband pulled her down again.
Public-domain text, read in full here on John Shaqi.
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