American fiction -- 19th century; Short stories, American
After that, for ten years or more, I watched the strange spectacle of a
life of hopeful and productive effort based on the structure of a dream.
There could be no doubt to those who saw Grancy during this period that
he drew his strength and courage from the sense of his wife’s mystic
participation in his task. When I went back to see him a few months later I
found the portrait had been removed from the library and placed in a small
study up-stairs, to which he had transferred his desk and a few books. He
told me he always sat there when he was alone, keeping the library for his
Sunday visitors. Those who missed the portrait of course made no comment on
its absence, and the few who were in his secret respected it. Gradually all
his old friends had gathered about him and our Sunday afternoons regained
something of their former character; but Claydon never reappeared among us.
As I look back now I see that Grancy must have been failing from the time
of his return home. His invincible spirit belied and disguised the signs of
weakness that afterward asserted themselves in my remembrance of him. He
seemed to have an inexhaustible fund of life to draw on, and more than one
of us was a pensioner on his superfluity.
Nevertheless, when I came back one summer from my European holiday and
heard that he had been at the point of death, I understood at once that we
had believed him well only because he wished us to.
I hastened down to the country and found him midway in a slow
convalescence. I felt then that he was lost to us and he read my thought at
a glance.
“Ah,” he said, “I’m an old man now and no mistake. I suppose we shall have
to go half-speed after this; but we shan’t need towing just yet!”
The plural pronoun struck me, and involuntarily I looked up at Mrs.
Grancy’s portrait. Line by line I saw my fear reflected in it. It was the
face of a woman who knows that her husband is dying. My heart stood still
at the thought of what Claydon had done.
Grancy had followed my glance. “Yes, it’s changed her,” he said quietly.
“For months, you know, it was touch and go with me--we had a long fight of
it, and it was worse for her than for me.” After a pause he added: “Claydon
has been very kind; he’s so busy nowadays that I seldom see him, but when I
sent for him the other day he came down at once.”
I was silent and we spoke no more of Grancy’s illness; but when I took
leave it seemed like shutting him in alone with his death-warrant.
The next time I went down to see him he looked much better. It was a Sunday
and he received me in the library, so that I did not see the portrait
again. He continued to improve and toward spring we began to feel that, as
he had said, he might yet travel a long way without being towed.
One evening, on returning to town after a visit which had confirmed my
sense of reassurance, I found Claydon dining alone at the club. He asked me
to join him and over the coffee our talk turned to his work.
Public-domain text, read in full here on John Shaqi.
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