American fiction -- 19th century; Short stories, American
I saw at once that I had hit on a point where his native garrulity was
protected by the chain-mail of religious discipline that every Catholic
priest wears beneath his cassock. I had too much respect for my friend
to wish to penetrate his armor, and now and then I almost fancied he was
grateful to me for not putting his reticence to the test.
Don Egidio must have been past sixty when I made his acquaintance; but it
was not till the close of an exceptionally harsh winter, some five or six
years after our first meeting, that I began to think of him as an old man.
It was as though the long-continued cold had cracked and shrivelled him. He
had grown bent and hollow-chested and his lower lip shook like an unhinged
door. The summer heat did little to revive him, and in September, when I
came home from my vacation, I found him just recovering from an attack of
pneumonia. That autumn he did not care to venture often into the night air,
and now and then I used to go and sit with him in his little room, to which
I had contributed the unheard-of luxuries of an easy-chair and a gas-stove.
My engagements, however, made these visits infrequent, and several weeks
had elapsed without my seeing the _parocco_ when, one snowy November
morning, I ran across him in the railway-station. I was on my way to New
York for the day and had just time to wave a greeting to him as I jumped
into the railway-carriage; but a moment later, to my surprise, I saw him
stiffly clambering into the same train. I found him seated in the common
car, with his umbrella between his knees and a bundle done up in a red
cotton handkerchief on the seat at his side. The caution with which, at my
approach, he transferred this bundle to his arms caused me to glance at it
in surprise; and he answered my look by saying with a smile:
“They are flowers for the dead--the most exquisite flowers--from the
greenhouses of Mr. Meriton--_si figuri_!” And he waved a descriptive
hand. “One of my lads, Gianpietro, is employed by the gardener there, and
every year on this day he brings me a beautiful bunch of flowers--for such
a purpose it is no sin,” he added, with the charming Italian pliancy of
judgment.
“And why are you travelling in this snowy weather, _signor parocco_?”
I asked, as he ended with a cough.
He fixed me gravely with his simple shallow eye. “Because it is the day of
the dead, my son,” he said, “and I go to place these on the grave of the
noblest man that ever lived.”
“You are going to New York?”
“To Brooklyn--“
I hesitated a moment, wishing to question him, yet uncertain whether his
replies were curtailed by the persistency of his cough or by the desire to
avoid interrogation.
“This is no weather to be travelling with such a cough,” I said at length.
He made a deprecating gesture.
“I have never missed the day--not once in eighteen years. But for me he
would have no one!” He folded his hands on his umbrella and looked away
from me to hide the trembling of his lip.
Public-domain text, read in full here on John Shaqi.
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