American fiction -- 19th century; Short stories, American
The great palace in Milan was a gloomy house for a girl to enter. Roberto
and his sister lived in it as if it had been a monastery, going nowhere and
receiving only those who labored for the Cause. To Faustina, accustomed to
the easy Austrian society, the Sunday evening receptions at the palazzo
Siviano must have seemed as dreary as a scientific congress. It pleased
Roberto to regard her as a victim of barbarian insolence, an embodiment of
his country desecrated by the desire of the enemy; but though, like any
handsome penniless girl, Faustina had now and then been exposed to a free
look or a familiar word, I doubt if she connected such incidents with the
political condition of Italy. She knew, of course, that in marrying Siviano
she was entering a house closed against the Austrian. One of Siviano’s
first cares had been to pension his father-in-law, with the stipulation
that Intelvi should resign his appointment and give up all relations with
the government; and the old hypocrite, only too glad to purchase idleness
on such terms, embraced the liberal cause with a zeal which left his
daughter no excuse for half-heartedness. But he found it less easy than he
had expected to recover a footing among his own people. In spite of his
patriotic bluster the Milanese held aloof from him; and being the kind of
man who must always take his glass in company he gradually drifted back
to his old associates. It was impossible to forbid Faustina to visit her
parents; and in their house she breathed an air that was at least tolerant
of Austria.
But I must not let you think that the young Countess appeared ungrateful or
unhappy. She was silent and shy, and it needed a more enterprising temper
than Roberto’s to break down the barrier between them. They seemed to talk
to one another through a convent-grating, rather than across a hearth; but
if Roberto had asked more of her than she could give, outwardly she was
a model wife. She chose me at once as her confessor and I watched over
the first steps of her new life. Never was younger sister tenderer to her
elder than she to Donna Marianna; never was young wife more mindful of her
religious duties, kinder to her dependents, more charitable to the poor;
yet to be with her was like living in a room with shuttered windows. She
was always the caged bird, the transplanted flower: for all Roberto’s care
she never bloomed or sang.
Donna Marianna was the first to speak of it. “The child needs more light
and air,” she said.
“Light? Air?” Roberto repeated. “Does she not go to mass every morning?
Does she not drive on the Corso every evening?”
Donna Marianna was not called clever, but her heart was wiser than most
women’s heads.
“At our age, brother,” said she, “the windows of the mind face north and
look out on a landscape full of lengthening shadows. Faustina needs another
outlook. She is as pale as a hyacinth grown in a cellar.”
Roberto himself turned pale and I saw that she had uttered his own thought.
Public-domain text, read in full here on John Shaqi.
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