Cruikshank, George, 1792-1878; Illustration of books -- Great Britain -- 19th century; Watercolor painting, British
Such changes appear absurd; but they are not so unnatural as
they would seem at first sight. The transitions in real life from
well-spread boards to death-beds, and from mourning-weeds to holiday
garments, are not a whit less startling; only, there, we are
busy actors, instead of passive lookers-on, which makes a vast
difference. The actors in the mimic life of the theatre, are blind
to violent transitions and abrupt impulses of passion or feeling,
which, presented before the eyes of mere spectators, are at once
condemned as outrageous and preposterous.
As sudden shiftings of the scene, and rapid changes of time and
place, are not only sanctioned in books by long usage, but are by
many considered as the great art of authorship: an author’s skill in
his craft being, by such critics, chiefly estimated with relation to
the dilemmas in which he leaves his characters at the end of every
chapter: this brief introduction to the present one may perhaps
be deemed unnecessary. If so, let it be considered a delicate
intimation on the part of the historian that he is going back to
the town in which Oliver Twist was born; the reader taking it for
granted that there are good and substantial reasons for making
the journey, or he would not be invited to proceed upon such an
expedition.
Mr. Bumble emerged at early morning from the workhouse-gate, and
walked with portly carriage and commanding steps, up the High
Street. He was in the full bloom and pride of beadlehood; his cocked
hat and coat were dazzling in the morning sun; he clutched his cane
with the vigorous tenacity of health and power. Mr. Bumble always
carried his head high; but this morning it was higher than usual.
There was an abstraction in his eye, an elevation in his air, which
might have warned an observant stranger that thoughts were passing
in the beadle’s mind, too great for utterance.
Mr. Bumble stopped not to converse with the small shopkeepers and
others who spoke to him, deferentially, as he passed along. He
merely returned their salutations with a wave of his hand, and
relaxed not in his dignified pace, until he reached the farm where
Mrs. Mann tended the infant paupers with parochial care.
‘Drat that beadle!’ said Mrs. Mann, hearing the well-known shaking
at the garden-gate. ‘If it isn’t him at this time in the morning!
Lauk, Mr. Bumble, only think of its being you! Well, dear me, it _is_
a pleasure, this is! Come into the parlour, sir, please.’
The first sentence was addressed to Susan; and the exclamations of
delight were uttered to Mr. Bumble: as the good lady unlocked the
garden-gate: and showed him, with great attention and respect, into
the house.
‘Mrs. Mann,’ said Mr. Bumble; not sitting upon, or dropping himself
into a seat, as any common jackanapes would: but letting himself
gradually and slowly down into a chair; ‘Mrs. Mann, ma’am, good
morning.’
‘Well, and good morning to _you_, sir,’ replied Mrs. Mann, with many
smiles; ‘and hoping you find yourself well, sir!’
Public-domain text, read in full here on John Shaqi.
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