Cruikshank, George, 1792-1878; Illustration of books -- Great Britain -- 19th century; Watercolor painting, British
One beautiful night, when they had taken a longer walk than was
customary with them: for the day had been unusually warm, and there
was a brilliant moon, and a light wind had sprung up, which was
unusually refreshing. Rose had been in high spirits, too, and they
had walked on, in merry conversation, until they had far exceeded
their ordinary bounds. Mrs. Maylie being fatigued, they returned
more slowly home. The young lady merely throwing off her simple
bonnet, sat down to the piano as usual. After running abstractedly
over the keys for a few minutes, she fell into a low and very
solemn air; and as she played it, they heard a sound as if she were
weeping.
‘Rose, my dear!’ said the elder lady.
Rose made no reply, but played a little quicker, as though the words
had roused her from some painful thoughts.
‘Rose, my love!’ cried Mrs. Maylie, rising hastily, and bending over
her. ‘What is this? In tears! My dear child, what distresses you?’
‘Nothing, aunt; nothing,’ replied the young lady. ‘I don’t know what
it is; I can’t describe it; but I feel--’
‘Not ill, my love?’ interposed Mrs. Maylie.
‘No, no! Oh, not ill!’ replied Rose: shuddering as though some
deadly chillness were passing over her, while she spoke; ‘I shall be
better presently. Close the window, pray!’
Oliver hastened to comply with her request. The young lady, making
an effort to recover her cheerfulness, strove to play some livelier
tune; but her fingers dropped powerless over the keys. Covering
her face with her hands, she sank upon a sofa, and gave vent to the
tears which she was now unable to repress.
‘My child!’ said the elderly lady, folding her arms about her, ‘I
never saw you so before.’
‘I would not alarm you if I could avoid it,’ rejoined Rose; ‘but
indeed I have tried very hard, and cannot help this. I fear I _am_
ill, aunt.’
She was, indeed; for, when candles were brought, they saw that in
the very short time which had elapsed since their return home,
the hue of her countenance had changed to a marble whiteness. Its
expression had lost nothing of its beauty; but it was changed; and
there was an anxious haggard look about the gentle face, which it
had never worn before. Another minute, and it was suffused with a
crimson flush: and a heavy wildness came over the soft blue eye.
Again this disappeared, like the shadow thrown by a passing cloud;
and she was once more deadly pale.
Oliver, who watched the old lady anxiously, observed that she was
alarmed by these appearances; and so in truth, was he; but seeing
that she affected to make light of them, he endeavoured to do the
same, and they so far succeeded, that when Rose was persuaded by
her aunt to retire for the night, she was in better spirits; and
appeared even in better health: assuring them that she felt certain
she should rise in the morning, quite well.
‘I hope,’ said Oliver, when Mrs. Maylie returned, ‘that nothing is
the matter? She don’t look well to-night, but--’
Public-domain text, read in full here on John Shaqi.
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