Cruikshank, George, 1792-1878; Illustration of books -- Great Britain -- 19th century; Watercolor painting, British
How often did Oliver start from his bed that night, and stealing
out, with noiseless footstep, to the staircase, listen for the
slightest sound from the sick chamber! How often did a tremble shake
his frame, and cold drops of terror start upon his brow, when a
sudden trampling of feet caused him to fear that something too
dreadful to think of, had even then occurred! And what had been
the fervency of all the prayers he had ever muttered, compared
with those he poured forth, now, in the agony and passion of his
supplication for the life and health of the gentle creature, who was
tottering on the deep grave’s verge!
Oh! the suspense, the fearful, acute suspense, of standing idly by
while the life of one we dearly love, is trembling in the balance!
Oh! the racking thoughts that crowd upon the mind, and make the
heart beat violently, and the breath come thick, by the force of the
images they conjure up before it; the desperate anxiety _to be doing
something_ to relieve the pain, or lessen the danger, which we have
no power to alleviate; the sinking of soul and spirit, which the sad
remembrance of our helplessness produces; what tortures can equal
these; what reflections or endeavours can, in the full tide and
fever of the time, allay them!
Morning came; and the little cottage was lonely and still. People
spoke in whispers; anxious faces appeared at the gate, from time to
time; women and children went away in tears. All the livelong day,
and for hours after it had grown dark, Oliver paced softly up and
down the garden, raising his eyes every instant to the sick chamber,
and shuddering to see the darkened window, looking as if death lay
stretched inside. Late that night, Mr. Losberne arrived. ‘It is
hard,’ said the good doctor, turning away as he spoke; ‘so young; so
much beloved; but there is very little hope.’
Another morning. The sun shone brightly; as brightly as if it looked
upon no misery or care; and, with every leaf and flower in full
bloom about her; with life, and health, and sounds and sights of
joy, surrounding her on every side: the fair young creature lay,
wasting fast. Oliver crept away to the old churchyard, and sitting
down on one of the green mounds, wept and prayed for her, in
silence.
There was such peace and beauty in the scene; so much of brightness
and mirth in the sunny landscape; such blithesome music in the songs
of the summer birds; such freedom in the rapid flight of the rook,
careering overhead; so much of life and joyousness in all; that,
when the boy raised his aching eyes, and looked about, the thought
instinctively occurred to him, that this was not a time for death;
that Rose could surely never die when humbler things were all so
glad and gay; that graves were for cold and cheerless winter: not
for sunlight and fragrance. He almost thought that shrouds were
for the old and shrunken; and that they never wrapped the young and
graceful form in their ghastly folds.
Public-domain text, read in full here on John Shaqi.
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