Cruikshank, George, 1792-1878; Illustration of books -- Great Britain -- 19th century; Watercolor painting, British
Jingling and clattering, till distance rendered its noise inaudible,
and its rapid progress only perceptible to the eye, the vehicle
wound its way along the road, almost hidden in a cloud of dust: now
wholly disappearing, and now becoming visible again, as intervening
objects, or the intricacies of the way, permitted. It was not until
even the dusty cloud was no longer to be seen, that the gazers
dispersed.
And there was one looker-on, who remained with eyes fixed upon the
spot where the carriage had disappeared, long after it was many
miles away; for, behind the white curtain which had shrouded her
from view when Harry raised his eyes towards the window, sat Rose
herself.
‘He seems in high spirits and happy,’ she said, at length. ‘I feared
for a time he might be otherwise. I was mistaken. I am very, very
glad.’
Tears are signs of gladness as well as grief; but those which
coursed down Rose’s face, as she sat pensively at the window, still
gazing in the same direction, seemed to tell more of sorrow than of
joy.
CHAPTER XXXVII -- IN WHICH THE READER MAY PERCEIVE A CONTRAST, NOT
UNCOMMON IN MATRIMONIAL CASES
Mr. Bumble sat in the workhouse parlour, with his eyes moodily fixed
on the cheerless grate, whence, as it was summer time, no brighter
gleam proceeded, than the reflection of certain sickly rays of the
sun, which were sent back from its cold and shining surface. A paper
fly-cage dangled from the ceiling, to which he occasionally raised
his eyes in gloomy thought; and, as the heedless insects hovered
round the gaudy net-work, Mr. Bumble would heave a deep sigh, while
a more gloomy shadow overspread his countenance. Mr. Bumble was
meditating; it might be that the insects brought to mind, some
painful passage in his own past life.
Nor was Mr. Bumble’s gloom the only thing calculated to awaken a
pleasing melancholy in the bosom of a spectator. There were not
wanting other appearances, and those closely connected with his own
person, which announced that a great change had taken place in the
position of his affairs. The laced coat, and the cocked hat; where
were they? He still wore knee-breeches, and dark cotton stockings
on his nether limbs; but they were not _the_ breeches. The coat
was wide-skirted; and in that respect like _the_ coat, but, oh how
different! The mighty cocked hat was replaced by a modest round one.
Mr. Bumble was no longer a beadle.
There are some promotions in life, which, independent of the more
substantial rewards they offer, require peculiar value and dignity
from the coats and waistcoats connected with them. A field-marshal
has his uniform; a bishop his silk apron; a counsellor his silk
gown; a beadle his cocked hat. Strip the bishop of his apron, or the
beadle of his hat and lace; what are they? Men. Mere men. Dignity,
and even holiness too, sometimes, are more questions of coat and
waistcoat than some people imagine.
Public-domain text, read in full here on John Shaqi.
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