Cruikshank, George, 1792-1878; Illustration of books -- Great Britain -- 19th century; Watercolor painting, British
‘And--and--good?’ asked Fagin, hesitating as though he feared to vex
the other man by being too sanguine.
‘Not bad, any way,’ replied Monks with a smile. ‘I have been prompt
enough this time. Let me have a word with you.’
The girl drew closer to the table, and made no offer to leave the
room, although she could see that Monks was pointing to her. The
Jew: perhaps fearing she might say something aloud about the money,
if he endeavoured to get rid of her: pointed upward, and took Monks
out of the room.
‘Not that infernal hole we were in before,’ she could hear the man
say as they went upstairs. Fagin laughed; and making some reply
which did not reach her, seemed, by the creaking of the boards, to
lead his companion to the second story.
Before the sound of their footsteps had ceased to echo through the
house, the girl had slipped off her shoes; and drawing her gown
loosely over her head, and muffling her arms in it, stood at the
door, listening with breathless interest. The moment the noise
ceased, she glided from the room; ascended the stairs with
incredible softness and silence; and was lost in the gloom above.
The room remained deserted for a quarter of an hour or more; the
girl glided back with the same unearthly tread; and, immediately
afterwards, the two men were heard descending. Monks went at once
into the street; and the Jew crawled upstairs again for the money.
When he returned, the girl was adjusting her shawl and bonnet, as if
preparing to be gone.
‘Why, Nance!’ exclaimed the Jew, starting back as he put down the
candle, ‘how pale you are!’
‘Pale!’ echoed the girl, shading her eyes with her hands, as if to
look steadily at him.
‘Quite horrible. What have you been doing to yourself?’
‘Nothing that I know of, except sitting in this close place for I
don’t know how long and all,’ replied the girl carelessly. ‘Come!
Let me get back; that’s a dear.’
With a sigh for every piece of money, Fagin told the amount into her
hand. They parted without more conversation, merely interchanging a
‘good-night.’
When the girl got into the open street, she sat down upon a
doorstep; and seemed, for a few moments, wholly bewildered and
unable to pursue her way. Suddenly she arose; and hurrying on, in
a direction quite opposite to that in which Sikes was awaiting her
returned, quickened her pace, until it gradually resolved into a
violent run. After completely exhausting herself, she stopped to
take breath: and, as if suddenly recollecting herself, and deploring
her inability to do something she was bent upon, wrung her hands,
and burst into tears.
It might be that her tears relieved her, or that she felt the full
hopelessness of her condition; but she turned back; and hurrying
with nearly as great rapidity in the contrary direction; partly to
recover lost time, and partly to keep pace with the violent current
of her own thoughts: soon reached the dwelling where she had left
the housebreaker.
Public-domain text, read in full here on John Shaqi.
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