Cruikshank, George, 1792-1878; Illustration of books -- Great Britain -- 19th century; Watercolor painting, British
‘So give us the bundle,’ said Noah, unstrapping it from the woman’s
shoulders, and slinging it over his own; ‘and don’t yer speak,
except when yer spoke to. What’s the name of the house--t-h-r--three
what?’
‘Cripples,’ said Charlotte.
‘Three Cripples,’ repeated Noah, ‘and a very good sign too.
Now, then! Keep close at my heels, and come along.’ With these
injunctions, he pushed the rattling door with his shoulder, and
entered the house, followed by his companion.
There was nobody in the bar but a young Jew, who, with his two
elbows on the counter, was reading a dirty newspaper. He stared very
hard at Noah, and Noah stared very hard at him.
If Noah had been attired in his charity-boy’s dress, there might
have been some reason for the Jew opening his eyes so wide; but as
he had discarded the coat and badge, and wore a short smock-frock
over his leathers, there seemed no particular reason for his
appearance exciting so much attention in a public-house.
‘Is this the Three Cripples?’ asked Noah.
‘That is the dabe of this ‘ouse,’ replied the Jew.
‘A gentleman we met on the road, coming up from the country,
recommended us here,’ said Noah, nudging Charlotte, perhaps to call
her attention to this most ingenious device for attracting respect,
and perhaps to warn her to betray no surprise. ‘We want to sleep
here to-night.’
‘I’b dot certaid you cad,’ said Barney, who was the attendant
sprite; ‘but I’ll idquire.’
‘Show us the tap, and give us a bit of cold meat and a drop of beer
while yer inquiring, will yer?’ said Noah.
Barney complied by ushering them into a small back-room, and setting
the required viands before them; having done which, he informed
the travellers that they could be lodged that night, and left the
amiable couple to their refreshment.
Now, this back-room was immediately behind the bar, and some steps
lower, so that any person connected with the house, undrawing a
small curtain which concealed a single pane of glass fixed in the
wall of the last-named apartment, about five feet from its flooring,
could not only look down upon any guests in the back-room without
any great hazard of being observed (the glass being in a dark angle
of the wall, between which and a large upright beam the observer had
to thrust himself), but could, by applying his ear to the
partition, ascertain with tolerable distinctness, their subject of
conversation. The landlord of the house had not withdrawn his eye
from this place of espial for five minutes, and Barney had only just
returned from making the communication above related, when Fagin, in
the course of his evening’s business, came into the bar to inquire
after some of his young pupils.
‘Hush!’ said Barney: ‘stradegers id the next roob.’
‘Strangers!’ repeated the old man in a whisper.
‘Ah! Ad rub uds too,’ added Barney. ‘Frob the cuttry, but subthig in
your way, or I’b bistaked.’
Fagin appeared to receive this communication with great interest.
Public-domain text, read in full here on John Shaqi.
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