Cruikshank, George, 1792-1878; Illustration of books -- Great Britain -- 19th century; Watercolor painting, British
‘I see her now,’ cried the spy.
‘Plainly?’
‘I should know her among a thousand.’
He hastily descended, as the room-door opened, and the girl came
out. Fagin drew him behind a small partition which was curtained
off, and they held their breaths as she passed within a few feet of
their place of concealment, and emerged by the door at which they
had entered.
‘Hist!’ cried the lad who held the door. ‘Dow.’
Noah exchanged a look with Fagin, and darted out.
‘To the left,’ whispered the lad; ‘take the left had, and keep od
the other side.’
He did so; and, by the light of the lamps, saw the girl’s retreating
figure, already at some distance before him. He advanced as near as
he considered prudent, and kept on the opposite side of the street,
the better to observe her motions. She looked nervously round, twice
or thrice, and once stopped to let two men who were following close
behind her, pass on. She seemed to gather courage as she advanced,
and to walk with a steadier and firmer step. The spy preserved the
same relative distance between them, and followed: with his eye upon
her.
CHAPTER XLVI -- THE APPOINTMENT KEPT
The church clocks chimed three quarters past eleven, as two figures
emerged on London Bridge. One, which advanced with a swift and rapid
step, was that of a woman who looked eagerly about her as though in
quest of some expected object; the other figure was that of a man,
who slunk along in the deepest shadow he could find, and, at some
distance, accommodated his pace to hers: stopping when she stopped:
and as she moved again, creeping stealthily on: but never allowing
himself, in the ardour of his pursuit, to gain upon her footsteps.
Thus, they crossed the bridge, from the Middlesex to the Surrey
shore, when the woman, apparently disappointed in her anxious
scrutiny of the foot-passengers, turned back. The movement was
sudden; but he who watched her, was not thrown off his guard by it;
for, shrinking into one of the recesses which surmount the piers of
the bridge, and leaning over the parapet the better to conceal his
figure, he suffered her to pass on the opposite pavement. When she
was about the same distance in advance as she had been before, he
slipped quietly down, and followed her again. At nearly the centre
of the bridge, she stopped. The man stopped too.
It was a very dark night. The day had been unfavourable, and at that
hour and place there were few people stirring. Such as there were,
hurried quickly past: very possibly without seeing, but certainly
without noticing, either the woman, or the man who kept her in
view. Their appearance was not calculated to attract the importunate
regards of such of London’s destitute population, as chanced to take
their way over the bridge that night in search of some cold arch
or doorless hovel wherein to lay their heads; they stood there in
silence: neither speaking nor spoken to, by any one who passed.
Public-domain text, read in full here on John Shaqi.
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