Cruikshank, George, 1792-1878; Illustration of books -- Great Britain -- 19th century; Watercolor painting, British
‘No!’ replied the girl. ‘I have not done this for money. Let me have
that to think of. And yet--give me something that you have worn: I
should like to have something--no, no, not a ring--your gloves or
handkerchief--anything that I can keep, as having belonged to
you, sweet lady. There. Bless you! God bless you. Good-night,
good-night!’
The violent agitation of the girl, and the apprehension of some
discovery which would subject her to ill-usage and violence, seemed
to determine the gentleman to leave her, as she requested.
The sound of retreating footsteps were audible and the voices
ceased.
The two figures of the young lady and her companion soon afterwards
appeared upon the bridge. They stopped at the summit of the stairs.
‘Hark!’ cried the young lady, listening. ‘Did she call! I thought I
heard her voice.’
‘No, my love,’ replied Mr. Brownlow, looking sadly back. ‘She has
not moved, and will not till we are gone.’
Rose Maylie lingered, but the old gentleman drew her arm through
his, and led her, with gentle force, away. As they disappeared,
the girl sunk down nearly at her full length upon one of the stone
stairs, and vented the anguish of her heart in bitter tears.
After a time she arose, and with feeble and tottering steps ascended
the street. The astonished listener remained motionless on his
post for some minutes afterwards, and having ascertained, with many
cautious glances round him, that he was again alone, crept slowly
from his hiding-place, and returned, stealthily and in the shade of
the wall, in the same manner as he had descended.
Peeping out, more than once, when he reached the top, to make sure
that he was unobserved, Noah Claypole darted away at his utmost
speed, and made for the Jew’s house as fast as his legs would carry
him.
CHAPTER XLVII -- FATAL CONSEQUENCES
It was nearly two hours before day-break; that time which in the
autumn of the year, may be truly called the dead of night; when the
streets are silent and deserted; when even sounds appear to slumber,
and profligacy and riot have staggered home to dream; it was at this
still and silent hour, that Fagin sat watching in his old lair, with
face so distorted and pale, and eyes so red and blood-shot, that he
looked less like a man, than like some hideous phantom, moist from
the grave, and worried by an evil spirit.
He sat crouching over a cold hearth, wrapped in an old torn
coverlet, with his face turned towards a wasting candle that stood
upon a table by his side. His right hand was raised to his lips, and
as, absorbed in thought, he hit his long black nails, he disclosed
among his toothless gums a few such fangs as should have been a
dog’s or rat’s.
Public-domain text, read in full here on John Shaqi.
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