Cruikshank, George, 1792-1878; Illustration of books -- Great Britain -- 19th century; Watercolor painting, British
‘That’s for your people,’ said the guard. ‘Now, look alive in there,
will you. Damn that ‘ere bag, it warn’t ready night afore last; this
won’t do, you know!’
‘Anything new up in town, Ben?’ asked the game-keeper, drawing back
to the window-shutters, the better to admire the horses.
‘No, nothing that I knows on,’ replied the man, pulling on his
gloves. ‘Corn’s up a little. I heerd talk of a murder, too, down
Spitalfields way, but I don’t reckon much upon it.’
‘Oh, that’s quite true,’ said a gentleman inside, who was looking
out of the window. ‘And a dreadful murder it was.’
‘Was it, sir?’ rejoined the guard, touching his hat. ‘Man or woman,
pray, sir?’
‘A woman,’ replied the gentleman. ‘It is supposed--’
‘Now, Ben,’ replied the coachman impatiently.
‘Damn that ‘ere bag,’ said the guard; ‘are you gone to sleep in
there?’
‘Coming!’ cried the office keeper, running out.
‘Coming,’ growled the guard. ‘Ah, and so’s the young ‘ooman of
property that’s going to take a fancy to me, but I don’t know when.
Here, give hold. All ri--ight!’
The horn sounded a few cheerful notes, and the coach was gone.
Sikes remained standing in the street, apparently unmoved by what
he had just heard, and agitated by no stronger feeling than a doubt
where to go. At length he went back again, and took the road which
leads from Hatfield to St. Albans.
He went on doggedly; but as he left the town behind him, and plunged
into the solitude and darkness of the road, he felt a dread and awe
creeping upon him which shook him to the core. Every object before
him, substance or shadow, still or moving, took the semblance of
some fearful thing; but these fears were nothing compared to the
sense that haunted him of that morning’s ghastly figure following
at his heels. He could trace its shadow in the gloom, supply the
smallest item of the outline, and note how stiff and solemn it
seemed to stalk along. He could hear its garments rustling in the
leaves, and every breath of wind came laden with that last low cry.
If he stopped it did the same. If he ran, it followed--not running
too: that would have been a relief: but like a corpse endowed with
the mere machinery of life, and borne on one slow melancholy wind
that never rose or fell.
At times, he turned, with desperate determination, resolved to beat
this phantom off, though it should look him dead; but the hair rose
on his head, and his blood stood still, for it had turned with him
and was behind him then. He had kept it before him that morning, but
it was behind now--always. He leaned his back against a bank,
and felt that it stood above him, visibly out against the cold
night-sky. He threw himself upon the road--on his back upon the
road. At his head it stood, silent, erect, and still--a living
grave-stone, with its epitaph in blood.
Let no man talk of murderers escaping justice, and hint that
Providence must sleep. There were twenty score of violent deaths in
one long minute of that agony of fear.
Public-domain text, read in full here on John Shaqi.
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