Cruikshank, George, 1792-1878; Illustration of books -- Great Britain -- 19th century; Watercolor painting, British
‘Don’t leave us in the dark,’ said Kags, taking down a candle from
the chimney-piece, and lighting it, with such a trembling hand that
the knocking was twice repeated before he had finished.
Crackit went down to the door, and returned followed by a man with
the lower part of his face buried in a handkerchief, and another
tied over his head under his hat. He drew them slowly off. Blanched
face, sunken eyes, hollow cheeks, beard of three days’ growth,
wasted flesh, short thick breath; it was the very ghost of Sikes.
He laid his hand upon a chair which stood in the middle of the
room, but shuddering as he was about to drop into it, and seeming
to glance over his shoulder, dragged it back close to the wall--as
close as it would go--and ground it against it--and sat down.
Not a word had been exchanged. He looked from one to another
in silence. If an eye were furtively raised and met his, it was
instantly averted. When his hollow voice broke silence, they all
three started. They seemed never to have heard its tones before.
‘How came that dog here?’ he asked.
‘Alone. Three hours ago.’
‘To-night’s paper says that Fagin’s took. Is it true, or a lie?’
‘True.’
They were silent again.
‘Damn you all!’ said Sikes, passing his hand across his forehead.
‘Have you nothing to say to me?’
There was an uneasy movement among them, but nobody spoke.
‘You that keep this house,’ said Sikes, turning his face to Crackit,
‘do you mean to sell me, or to let me lie here till this hunt is
over?’
‘You may stop here, if you think it safe,’ returned the person
addressed, after some hesitation.
Sikes carried his eyes slowly up the wall behind him: rather trying
to turn his head than actually doing it: and said, ‘Is--it--the
body--is it buried?’
They shook their heads.
‘Why isn’t it!’ he retorted with the same glance behind him. ‘Wot
do they keep such ugly things above the ground for?--Who’s that
knocking?’
Crackit intimated, by a motion of his hand as he left the room, that
there was nothing to fear; and directly came back with Charley Bates
behind him. Sikes sat opposite the door, so that the moment the boy
entered the room he encountered his figure.
‘Toby,’ said the boy falling back, as Sikes turned his eyes towards
him, ‘why didn’t you tell me this, downstairs?’
There had been something so tremendous in the shrinking off of the
three, that the wretched man was willing to propitiate even this
lad. Accordingly he nodded, and made as though he would shake hands
with him.
‘Let me go into some other room,’ said the boy, retreating still
farther.
‘Charley!’ said Sikes, stepping forward. ‘Don’t you--don’t you know
me?’
‘Don’t come nearer me,’ answered the boy, still retreating, and
looking, with horror in his eyes, upon the murderer’s face. ‘You
monster!’
The man stopped half-way, and they looked at each other; but Sikes’s
eyes sunk gradually to the ground.
Public-domain text, read in full here on John Shaqi.
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