Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
The more the poor girl reasoned on her condition the harder to her it
seemed to be. It must be false what the parsons said; people who had
money, who lived sumptuously, who were arrayed in purple and fine linen,
must be happy—as she herself was when she had a crown-piece in her
pocket, a dress a little smarter than usual, or a bonnet of the latest
fashion. There was the senior deacon, who more fond of money than he?
though he always called it dross and filthy lucre. Then there were the
senior deacon’s daughters and wife; did not they always look a little
more amiable when they had new clothes on? There was the old parson
himself; did not everyone laugh at him because he was poor and shabby,
and had not his long life of poverty reduced him to such a state that he
could not say ‘Bo!’ to a goose? Money meant health, and happiness, and
honour, and power; that was clear. Why, the wickedest men in the town,
who had money, were made more of than the old parson, who had never done
harm to anyone, and whose long record was unsullied. Naturally, this
sort of reasoning made the poor girl a little discontented and out of
sorts.
At times she had all the youthful recklessness of her sex, and not a
little was her mother terrified. A father or a brother might have taught
her a little common-sense, but her only confidante was her mother—as fond
as she was foolish—who felt herself that her daughter had a smile as
sunny, a carriage as graceful, an air as distinguished, and a birth as
gentle, as any of the leaders of society in Sloville. She always
insisted on her daughter’s fitness for something higher. Love levels all
distinctions of rank, and Rose herself was half a Radical—at any rate,
much more of one than pretty women generally are. She was also
ambitious. She had a charming voice, and danced well. Why should she
not shine in society? Why should not she be the star of the ball-room
and the theatre? Why should not she have a brougham and drive in the
parks? Why should not the men fall down and worship at her shrine?
Beauty had a magic power, and wonders were ever being performed daily by
the sorcery of Love. Did not King Cophetua take a beggar-maid to be his
queen?
‘I’ll be a lady yet,’ said the silly girl; ‘I am tired of stitching and
sewing from morn to night; I am tired of this dull street and this dull
town; I’ll be a lady yet, mother,’ she said, ‘and you shall come and live
with me in a fine house in town with plenty of servants to wait on us and
real nice dinners to eat.’
‘Nonsense, girl!’ said the mother. ‘You had better marry the deacon’s
shopman; he is very fond of you, and I am sure, by this time, he could
furnish a house well and keep a wife comfortable.’
Public-domain text, read in full here on John Shaqi.
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