Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
When the dishonourable proposal was made to her—a proposal which she
could not at first understand, veiled as it was in artful language—all
her pride was in arms, her anger was aroused, and her love was turned to
hate. In her wrath she left the house, leaving behind her letters,
books, jewellery, dresses, everything that had been given her, and,
dressed in the simple style of her former life, she went out into the
world shedding bitter tears, and not knowing where to go. Sad and mad,
she walked the streets of London alone—streets in which it is more
dangerous for a pretty girl to walk along, and at night, than it would be
among Kaffir or Hottentots. She had given no one any intimation of her
going, or as to what her intentions were. She had escaped from the
destroyer, that was enough for her. A stranger to London, she wandered
wearily about, till she came to a street with a blaze of light streaming
from the shop windows on every side, crowded with cabs and carriages,
whilst the pavement was so filled up as to render locomotion almost
impossible.
What she saw struck her with astonishment and horror. She had never
heard of such a thing, and did not believe it possible. It was night,
and yet the place was as busy as if it were day. There were women in
full dress from the adjacent theatres, other in couples or hanging on the
arms of men, who might have been officers in the army and navy or members
of the swell mob. There were similar parties in hansoms and broughams.
Intermixed with them were beggars, and pickpockets, and swindlers, and
outcasts, and all the riffraff of a London street. Rose watched the
broughams, and saw them setting down their inmates at a building which
bore to her a name of no meaning. She watched awhile, and then,
advancing to the door and paying her shilling, found herself in a dancing
casino of a rather superior character. The walls were lined with seats
on which men and women were seated. There was a bar at one end at which
a good deal of chaffing and smoking and drinking were going on. Up in
the gallery was a German band, and, as they played, some danced, while
others looked on. Poor Rose was frightened beyond description at the
appearance of all around her. The air was full of oaths and laughter,
and all were gay, gay as wine could make them, from Lord Tom Noddy
drinking himself into _del. trem._, to the last ticket-of-leave from Her
Majesty’s jails. Rose had never seen so many vagabonds collected
together under a roof before, and they were all gay—the painted harlots,
the City men, the Jew money-lenders, the clerk who had come to spend the
proceeds of his latest embezzlement, the scheming M.P., the jockey from
Newmarket, the prize-fighter from Whitechapel, the greenhorn from the
Universities of Oxford and Cambridge. Pulling her veil over her face,
Rose stood in a corner by herself, trembling and alone, afraid to remain,
yet afraid to go away, fearing she might be stopped. Already she found
Public-domain text, read in full here on John Shaqi.
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