Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
Fortunately, Rose never saw anything of him, and he was nothing to her
now. Her mother was a little prying and inquisitive, but Rose, gentle
and tender-hearted, had a way of keeping her mouth shut—somewhat rare in
her sex—and when she had made up her mind to be silent, no power on earth
could make her talk. The old lady got about her in time some of her old
friends, with the male part of whom the daughter was as popular as ever,
in spite of her mysterious exit from Sloville.
All the young shopmen in the neighbourhood were ready to fall in love
with her, but Rose gave them no encouragement, much to the grief of her
mother, who was really anxious to see her daughter settled in life. Rose
said she was quite comfortable as she was, and her mother had to give
way. It was soon clearly understood that Rose was not in the matrimonial
market at all, and admiring swains said no more. Rose, as we have seen,
was of gentle birth, and that will assert itself in the blood.
Successful tradesmen have little time to study the graces of life, and
Rose liked refinement; it had come to her hereditarily, as we all know it
does. It was not her fault that she turned up her nose at vulgar
commonplace admirers, however well off they might be as regards this
world’s goods.
It is needless to say that Rose, with her bright face, made many friends.
A leading theatrical, in search of attractions for his theatre, got hold
of her, and found how full she was of dramatic power. Rose had always
been fond of the stage, even as it appeared in such a humble form as that
in which it was revealed to her at Sloville, and the finished acting of
the London theatre gave her immense satisfaction. At first the pay was
small, and her work was hard; excellence on the stage, as excellence
everywhere, is not to be won without steady work, but she was an apt
learner, and made rapid progress. One day she had, as all of us have at
some time or other, a chance. One of the principal actresses was taken
ill, and Rose had suddenly to perform her part. Her success was as
complete as it was gratifying and unexpected.
As a critic, Wentworth had to record her triumph, and it not a little
astonished him to find in the Miss Howard, the new star of the theatre,
an old acquaintance. The meeting was mutually gratifying. If in her
distress and poverty she needed his protection, much more did she need it
in the hour of her triumph. If he admired her as a rustic beauty, much
more did he admire her as she shone radiant on the stage.
Public-domain text, read in full here on John Shaqi.
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