Crying for the Light; Or, Fifty Years Ago. Vol. 3 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 3 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
‘It amuses us, or would, were not the subject so awful—for it may be
taken as a sober truth that outside the bottomless pit there is no such
utter damnation as is to be found among the outcast—to find clever
writers talking of the constant neglect of the last hundred years, and to
ponder over the remedies. It is now the fashion to recommend better
houses to be built at the expense of the community. If we were to get
free trade in land, more will be done to remove the congestion in our
great cities than by the erection of improved dwellings, which will
rather intensify the evil. The more society does for the outcast the
more will their number and their poverty alike increase. The remedy is
worse than the disease. Every halfpenny you give to the undeserving is
so much taken from the deserving. Every benefit you confer on the pauper
is at the expense of the honest, respectable poor, who have a prior
claim. Against State action the argument is still stronger. In the
first place, the State cannot deal honestly and fairly by the people.
What it does is ill done, and at double expense. The people who pay the
taxes are often as badly off as those for whose benefit they are spent.
A slight addition to the taxation of a wealthy peer or capitalist will
not deprive him of a single luxury, but it may send a small, struggling
tradesman into the _Gazette_. We are a nation of shopkeepers, and it is
easy to perceive that a time may come when our heavy taxation may cripple
us in our trade with foreign competitors, when they will supply the
markets, on which we have hitherto depended, when, in fact, we shall have
little left to us but our National Debt.’
‘Go on,’ said Buxton. ‘You are getting rather prosy, but if it relieves
your feelings, pray proceed.’
Public-domain text, read in full here on John Shaqi.
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