Cuba and Her People of To-day: An account of the history and progress of the island previous to its independence; a description of its physical features; a study of its people; and, in particular, an examination of its present political conditions, its industries, natural resources, and prospects; together with information and suggestions designed to aid the prospective investor or settlerForbes-Lindsay, C. H.
History
Cuba and Her People of To-day: An account of the history and progress of the island previous to its independence; a description of its physical features; a study of its people; and, in particular, an examination of its present political conditions, its industries, natural resources, and prospects; together with information and suggestions designed to aid the prospective investor or settler
Forbes-Lindsay, C. H.
Cuba
On the opposite side of the Plaza stands El Templete, a little edifice
venerated by all good citizens of Habana. It marks the site of the mass
which was celebrated in connection with the founding of the City. The
building has the appearance of a chapel and perhaps was at first
intended to serve the purpose of one. Its
[Illustration: OBISPO STREET, HABANA.]
sole contents are three historical paintings by Escobar. El Templete is
opened only on the 16th day of November, which is the anniversary of the
City’s birth. On that day all Habana walks solemnly down to the little
building and gazes upon the pictures, one of which depicts the event
that the temple is designed to commemorate.
“Each and every street south of the Plaza de Armas is interesting, in
itself as it is now, and for details of its previous history. Here, at
Oficios 94, lived the bishop of the diocese, D. Pedro Agustin Morel de
Santa Cruz, who used to take his daily promenade up Obispo, and thereby
gave that avenue its name (Bishop Street); it has since been
rechristened Pi y Margall, for a Cuban patriot, but nobody heeds the
change. On the corner of Mercaderes and Obrapia (Pious Act Street) is
the house (its handsome high entrance with coat of arms above it, its
stairways, its corridors, its quiet patio, retaining in decay the
aristocratic bearing of better days), income from which the owner, D.
Martin Calvo de Arrieta, willed, in 1679, to be divided into dowries for
five orphan girls yearly; the city is executor and in this capacity
still launches five brides per annum so dowered by Don Martin.
Lamparilla is the ‘Little Lamp Street’ (in commemoration of a light a
devotee of All Souls’ kept burning in the corner of this and Habana in
years when there was no public illumination). Here, too, on the corner
of Mercaderes and Amagura, is ‘The Corner of the Green Cross.’ The cross
is there, and it is green; no painter, furbishing up the house it marks,
would venture to give it any other color, though why it should be green
nobody knows. It was one of the stations when, before religious
processions were prohibited in the streets, good Catholics used to
travel the _Via Crucis_ along Amargua (Bitterness) Street from Cristo
Plaza at its head to San Francisco Convent at the other end. In the
house walls along the way one can distinguish yet where other stations
were. Damas is Ladies Street, because of the number of pretty women who
at one time made its balconies attractive. Inquisidor was so called
because a Commissary of the Inquisition once resided in a house facing
upon it, which now the Spanish legation owns and occupies. Refugio
(Refuge) got its name because once General Rocafort was caught in a
storm and found refuge in the house of a widow named Mendez, who lived
there. Here, and in other districts throughout town, not only the
streets had names--Empedrado, because it was the first paved; Tejadillo
(Little Tile), because a house upon it was the first to have a tiled
Public-domain text, read in full here on John Shaqi.
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