Notwithstanding the mosquito nuisance and indifferent drainage, the traveller's first impression of Havana is distinctly agreeable, and the pleasing illusion is never completely destroyed. The harbour is wonderfully picturesque. Opposite the entrance stands the Morro Castle, built by Philip II. of Spain in 1573. It was formerly almost a _facsimile_ of that curious little castellated Moorish fortress which faces the beautiful Monastery and Church of Belem, at Lisbon, but has been considerably altered of late years in the process of adaptation to uses of modern warfare. Then comes in view the other historical fortress, La Punta, also erected by our Queen Mary's sinister consort. To the left are two rather sharp promontories, crested by several fine churches, one "Los Angeles," fully two hundred years old--an age in the New World corresponding to hoar antiquity in the Old. Beyond these, upon a number of low-lying hills, rises the city, an irregular mass of one-storied dwellings, painted a vivid ochre, and interspersed with church domes and towers, with here and there tall, lank cocoa palms, or a tuff of banana leaves waving over some garden wall. Vessels from every part of the world, feluccas, with their swallow-shaped sails, some dazzling white, others a deep-red brown, fill up the foreground--whilst canoe-like market boats, laden with tropical fruits, fish, vegetables, and flowers, and rowed by negroes naked to the waist, scud in all directions over the deep-blue waters. Arriving, as I did, from New York, which I had left deep in snow, this summer scene was most exhilarating, and the exceeding transparency of the Cuban atmosphere added considerably to its beauty. Everything seemed unusual, novel, and, above all, utterly unlike what I expected. The impress of the mother-country, Spain, is felt and seen everywhere, and modern American influences are barely perceptible as yet. From the sea, Havana might be Malaga or Cadiz, but when you land, memories of Pompeii immediately crowd upon you. What we should call the city proper, the commercial quarter of the Cuban capital, consists of a labyrinth of narrow lanes, traversed by one or two broadish streets, the two principal of which are known all over Southern America and the West Indies as Calle O'Reilly and Calle O'Bisbo, and run from the Governor's Palace right out to the walls of the city. Few of the houses which line these lanes and alleys are more than one storey high, but that one storey is so exceedingly lofty that it would make three in an average London dwelling. The lower half of every house is painted either a deep darkish blue, a deep Egyptian red, or a vivid yellow ochre; the upper part is always a dazzling white. As in Pompeii, you notice rows of stucco columns, painted half one colour half another. Peeping through the ever-open doorways you may, as you pass along, obtain something more than a mere casual glimpse of the interior of the dwellings. If you are