If it please you to leave the gay throng to its devices, its cigarettes,
and its scandal, to quit the flaring thoroughfares and betake yourself
to the semi-deserted bye streets, you will find plenty to attract and
amuse you. Here, for instance, is a street so narrow, you might shake
hands across it. The mellow tropical moonlight falls only on the roofs
of its tall one-storied houses, and on the tapering campanile of some
church or convent, which it transforms for the time being into a column
of burnished gold. A vivid glare across the street attracts your
attention. It proceeds from a cavernous-looking tavern, whose otherwise
gloomy interior is lighted up by strings of Chinese lanterns. A crowd of
negroes, smoking cigars or cigarettes, stand in a confused group round a
couple, consisting of a huge Congo black naked to the waist, and a lady
of a few shades lighter hue, dancing the obscene Cubana, to the intense
gratification of the dusky spectators. Down another still narrower
street, across a little Plaza, and we find ourselves in a sort of
covered gallery, where whole families of respectable citizens, gran'pa
and gran'ma included, are supping _al fresco_--by the light of a number
of curious brass lamps, such as the old Romans used. Not far off you
catch a glimpse of the sea glistening in the moonlight, which turns the
distant suburb of Regla, on the opposite side of the harbour, into rows
of ivory dice, the square one-storied houses looking for all the world
like those pernicious toys on a colossal scale. Resisting the pressing
invitation of a party of gaudily dressed ladies seated in the huge
cage-like window of a house hard by, we find ourselves, by a sudden
turn, in the Cathedral Square. Although late, the great church is open
and brilliantly illuminated, and within we can see the pious throng,
kneeling before the high altar, chanting Ave Maria--
_Ora pro nobis, nunc et in ora mortis nostris._
Commend to me a city of the Latin race for delightful contrasts, and I
assure you Havana is no exception to the rule.
Public-domain text, read in full here on John Shaqi.
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