Ehrenstein, A., Tubutsch. 12 drawings by O. Kokoschka. Wien; Jokoda & Siegel, 1911. Engert, Seven Drawings; H. P. S. Bachmann, 1913; 8°. Gauguin Mappe, München; Piper, 1913. 15 reproductions. Genin, Robert, Figürliche Kompositionen; 20 original drawings on stone. München, Delphin Verlag, 1912. Hodlermappe, München; Piper, 1913. Kandinsky Album, 1901-1913; 80 full page reproductions of paintings by Kandinsky with text written by himself. Berlin, Verlag der Sturm, 1914. Kokoschka, Oskar, Dramen und Bilder. Leipzig, Kurt Wolff, 1913. Kokoschka, Oskar, 20 drawings. Berlin, Verlag der Sturm, 1913. Reinhardt, Sig., Simson; 43 pen and ink sketches. München, 1913. Schwalbach, Karl, 10 original lithographic drawings. München, Delphin Verlag, 1913. Senna, 15 original lithographic drawings by the artists’ association Senna. München, Delphin Verlag, 1912. Van Gogh Mappe, München; Piper, 1912. INDEX Academic attitude, 61 Advertising, art of, 171-172 Age and new experiments, 66 Alexander and Sargent, 199; Van Rees, 199; post-Impressionistic, 199 America and virile Impressionism, 191; new movement in 48; what is happening in, 191 Americans, as dreamers, 192 Anderson, 1 Apollinaire, 67, 81 Arrangements, 14 Arteries, sclerosis of, 62 Archipanko, 204; his Family Life, 205 Architecture, sky-scrapers, 199 Art, archaic and primitive, 78; attitude of observer and producer, 87; attitude of observer, 127; conflict between old and new, 156; continuous, 110; creative, 30; creative work by certain Americans, 196-197; criticism, professional, 9-10; currents in, 33; decorative, correspondence regarding cubist pictures, 50-52; definition of, 87-88; expression of inner self, 112; extravagances in, 34; evolution of new movement, 11; gains from controversy, 58, 59; in offices, 161; is cubism art? 86-87; its relation to life, 198-199; jargon, 9-10; laws of, 106; modern expression of inner self, 11; modern pictures in newspaper office, 160; movement from studio to nature and back again, 14, 15; movements from perfections to imperfections, 9; movements of recent years, 60; movements in, 8; new movement a spiritual offering, 115; new movements in relation to origin of art, 111; new movements profoundly interesting, 108; objective, 90; on the horse-block, 7; part played by subject, 159; philosophy of movements in, 20; private galleries graveyards of, 160; revolution in, 3; ridicule of great men by their own generations, 8; sign of life is flux, 60; subjective, 90; thrives on controversy, 1; ugliness in new pictures, 154; works of observation and works of imagination, 14-15 Barbizon school and later developments, 11-12; imaginative, 30; its method, 15 Barnard, 203 “Bathsheba,” record of sales, 6, 7 Baum, 111 Beautiful, our notions of the, 155-156 (see also Ugliness)