The Empress Irene having in 780 so skilfully turned the tide in favour of images, the contest was still maintained during the five succeeding reigns, a period of thirty-eight years between the worshippers of images and the iconoclasts. The final victory of the images was achieved by a second female, the widow Theodora, after the death of the Emperor Theophilus in 842. Her measures were bold and decisive. She sentenced the iconoclast patriarch to a whipping of two hundred lashes instead of the loss of his eyes. At this stroke of power the bishops trembled, the monks shouted, and the festival of orthodoxy preserves the annual memory of the triumph of the images. The only point left unsettled was, whether images were endowed with any proper and inherent sanctity, and this continued to be discussed in the eleventh century. The Churches of France, Germany, England, and Spain had steered a middle course between the adoration and the destruction of images, which they professed to admit into their temples, not as objects of worship, but as lively and useful memorials of faith and history. Charlemagne had used his authority in assembling a synod of three hundred bishops at Frankfort in 794, who professed to blame the superstition of the Greeks. But the worship of images advanced with silent progress, and reached to the idolatry of the ages which preceded the Reformation. Theodora skilfully gained over many bishops by representing that her husband the Emperor on his deathbed repented of his errors, and that her young son at the same time had also registered a vow to restore images. IMAGE WORSHIP IN SPAIN.