The nuns who followed the Benedictine order often displayed learning as well as manual skill. Willibald says those of Britain and Germany excelled in the studies usual to men. They followed the example of the monks in transcribing books, and even in composing others. Those of the monastery of Eikers, in Belgium, were celebrated for their labours in reading and meditating, in writing and in painting. The abbesses Harlind and Renild, besides works of embroidery and weaving, were said to have written with their own hands the four gospels, the whole Psalter, and many other books of Scripture, which they ornamented with liquid gold, gems, and pearls. Cæsaria, abbess of Arles, and her nuns wrote out many Divine books during the time that was spent between psalmody and fasting, vigils and readings. Heloise and her nuns proposed difficult questions on the sacred Scriptures to Abelard, and showed an acuteness and discernment little inferior to his own. Peter the Venerable, in his letter to Heloise, said it was sweet to prolong discourse with her, for her erudition was not less celebrated than her sanctity. So that there was always a succession of noted women from age to age, like Marcella, whose acuteness and learning were constantly extolled by St. Jerome in his letters. THE MONKS AT MISSAL PAINTING. The art of illumination was one of the great triumphs of the monks in the Middle Ages, though the same, or at least a kindred, art was practised in Egypt long before the Christian era. So early as the fourth century St. Jerome complained of the ornamentation of enormous capital letters in books as an abuse. A copy of the New Testament was executed in the fourth century in letters of silver, with the initials in gold, and is still preserved in the royal library at Upsal under the title of the "Codex Argenteus." In the seventh century enormous initial letters began to supersede the current practice of introducing miniatures in the ornamentation. The new style then consisted of interlaced fretwork or entwined branches of white and gold on a background of variegated colours. Irish monasteries excelled the British about that age in this kind of work, and the Anglo-Saxon youths went to Ireland to obtain a mastery of the favourite styles. St. Dunstan was himself an expert illuminator. A fine specimen, called St. Cuthbert's Gospels, was executed by a bishop of Lindisfarne about 721, and is now in the Cottonian Library. The finest specimen of English illumination of the tenth century is the Duke of Devonshire's "Benedictional," executed by the Bishop of Winchester in 984, where pictures of glorified confessors are on the first page. The initial letters became longer and longer, until their tails reached nearly the whole length of the page, and next they were carried round the three sides. The foliage, flowers, birds, animals, and miniatures in the background were carefully drawn. The printing-press was the death-knell of