It is very easy, said a humorous observer on La Fontaine, to be a man of wit, or a fool; but to be both, and that too in the extreme degree, is indeed admirable, and only to be found in him. This observation applies to that fine natural genius Goldsmith. Chaucer was more facetious in his tales than in his conversation, and the Countess of Pembroke used to rally him by saying, that his silence was more agreeable to her than his conversation. Isocrates, celebrated for his beautiful oratorical compositions, was of so timid a disposition, that he never ventured to speak in public. He compared himself to the whetstone which will not cut, but enables other things to do so; for his productions served as models to other orators. Vaucanson was said to be as much a machine as any he had made. Dryden says of himself--"My conversation is slow and dull, my humour saturnine and reserved. In short, I am none of those who endeavour to break jests in company, or make repartees."[41] VIDA. What a consolation for an aged parent to see his child, by the efforts of his own merits, attain from the humblest obscurity to distinguished eminence! What a transport for the man of sensibility to return to the obscure dwelling of his parent, and to embrace him, adorned with public honours! Poor _Vida_ was deprived of this satisfaction; but he is placed higher in our esteem by the present anecdote, than even by that classic composition, which rivals the Art of Poetry of his great master. _Jerome Vida_, after having long served two Popes, at length attained to the episcopacy. Arrayed in the robes of his new dignity, he prepared to visit his aged parents, and felicitated himself with the raptures which the old couple would feel in embracing their son as their bishop. When he arrived at their village, he learnt that it was but a few days since they were no more. His sensibilities were exquisitely pained. The muse dictated some elegiac verse, and in the solemn pathos deplored the death and the disappointment of his parents. THE SCUDERIES. Bien heureux SCUDERY, dont la fertile plume Peut tous les mois sans peine enfanter un volume. Boileau has written this couplet on the Scuderies, the brother and sister, both famous in their day for composing romances, which they sometimes extended to ten or twelve volumes. It was the favourite literature of that period, as novels are now. Our nobility not unfrequently condescended to translate these voluminous compositions. The diminutive size of our modern novels is undoubtedly an improvement: but, in resembling the size of primers, it were to be wished that their contents had also resembled their inoffensive pages. Our great-grandmothers were incommoded with overgrown folios; and, instead of finishing the eventful history of two lovers at one or two sittings, it was sometimes six months, _including Sundays_, before they could get quit of their Clelias, their Cyrus's, and Parthenissas.