Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage NationsElson, Louis Charles
History
Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage Nations
Elson, Louis Charles
Music -- History and criticism
In order that the similarity of the Buddhist and Christian rites may be
remarked, we give the description of the interior of a temple during
worship, as seen by a European traveller.[160]
“A hundred kneeling devotees were present; a large shrine, with a gilt
image in its recess; two large globular lamps, and two burning candles,
immensely long and thick; as also numerous gold and porcelain vases,
holding lighted tapers, and surrounded by a forest of artificial
flowers, were the objects that most riveted his attention. On both sides
of this magnificent and richly gilded shrine were two smaller ones, each
illuminated with lighted candles and perfumed tapers, burning with
colored flame; the effect of which was very beautiful. In front of the
principal altar, within an enclosure, knelt six shaven-headed priests
(the latter, and physicians shave the whole of the hair off their
heads), robed in crimson silk, and white crape; the centre and chief of
whom engaged himself in striking a small saucer-shaped bell, while four
more of the number performed a similar duty with padded drumsticks on
hollow vessels of lacquered wood, which awoke a dull, monotonous sound.
They kept good time, playing in unison, and toning their prayers to
their music in chanting. At the conclusion of this singing and drumming
they bent their foreheads to the floor, after which they arose and
repaired to the smaller shrines, where a ceremony made up of
gesticulation and a solemn reading of prayers, took place. In the
meantime, the audience knelt, with their eyes directed to the ground,
and gave some time to silent prayer.”
Music bore a part also in the funeral ceremonies of some sects in Japan.
The priest sang a eulogy of the dead, just before the funeral pile was
set on fire.[161]
The order of “mountain priests” use a few instruments of sound (rather
than music) in their wanderings. They have a staff with a copper head,
to which are fastened four rings, also of copper, which they shake on
uttering certain words in their prayers. They also carry a shell called
_forano-kai_, to which a tube is attached, and which they use as a
trumpet. They blow a blast upon this instrument (which in tone resembles
the horn of a cowherd) whenever they see any travellers approaching, as
a summons to them to give some charity to the order.[162]
Public-domain text, read in full here on John Shaqi.
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