Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage NationsElson, Louis Charles
History
Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage Nations
Elson, Louis Charles
Music -- History and criticism
In the “canoe dance” men and women stationed in two lines, imitate the
graceful motions of paddling a canoe.
There is a dance “with partners” prevalent in the southern part of
Australia. Both sexes participate in it. Each man carries a belt of
possum skin, or human hair, which he keeps stretched tight, holding one
end in each hand. The men all sit down in a circle while a woman takes
her place in the middle; one of the men then dances up to her, jumping
from side to side, and swaying his arms in harmony with his movements.
The woman also begins swaying and jumping in time with him, as he
approaches her, and after a short _pas de deux_ they dance back to their
places, while the centre is occupied by a fresh couple.
A strange dance was celebrated by the Tasmanians at each full moon. The
various tribes assembled at some trysting place, and while the women
prepared the fire, and fenced off a space for the dance, the men retired
to adorn themselves with paint, and to fasten branches of bushy twigs to
their ankles, wrists and waists. The women being seated at the front of
the space, one of the oldest among them, strode forward, calling by
name, one of the performers, whom she reviled as a coward, and
challenged to come forward and meet her charge, and answer it.
The warrior was swift enough in his response, and, bounding through the
fire, into the circle, he recounted his deeds of valor in both chase and
war. At every pause he made, his female admirers took up the list of his
praises, vaunting his actions in a sort of chant which they accompanied
with extemporized drums, made of rolled kangaroo skins.
“Suddenly upon some inspiring allegro movement of the thumping hand,
thirty or forty grim savages would hound successively through the
furious flames, into the sacred arena, looking like veritable demons on
a special visit to _terra firma_; and, after thoroughly exhausting
themselves, by leaping in imitation of the kangaroo, around and through
the fire, they vanish in an instant. After this, the old lady who was
the origination of all the hubbub, gave a signal, upon which, all the
females rose, and quite unadorned, gave a series of acrobatic
performances around the fire, that were strange and wonderful to behold.
The main point being however, with each of them, to outscream her sister
singers.”[197]
Public-domain text, read in full here on John Shaqi.
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