Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage NationsElson, Louis Charles
History
Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage Nations
Elson, Louis Charles
Music -- History and criticism
The constant use of instruments of percussion, in slow and monotonous
songs, is one of the most tiresome institutions of the Chinese music;
almost all the tunes are taken at an _andante_ or _adagio_ pace, and it
is but just to say, that the Chinese chiefly dislike European music
because it is often played quickly.
“To what purpose” they ask, “should one dance and hurry in this manner,
and how can such things penetrate to the soul? With us” they add
proudly, “all is done calmly, and without precipitation.[125]”
It must be acknowledged, that the Chinese love, and take pride in music,
that is, in their own kind. In every great state ceremony, in theatres,
in religion, it everywhere plays the leading _role_.
One of the nine tribunals which have charge of the general affairs of
the empire, is charged with the care of music, rites, and ceremonies;
and the mandarins of music are considered of much higher rank than the
mandarins of mathematics, and have their college in the enclosure of the
imperial palace.
The fondness for the art is apparent in all classes, and music is used
on almost every occasion of festivity, high or low. The streets of the
cities are full of peripatetic musicians, who earn their living by
catering to the general public, somewhat as the organ grinders do with
us.
The feast of lanterns is the greatest of all popular Chinese festivals;
it takes place on the fifteenth day of the first moon, and corresponds
to a New Year’s feast. On this occasion every part of the immense cities
of the empire glows with the light of innumerable lanterns, while
fire-works and decorations are seen on all sides. In the streets are
seen large _Lantern Theatres_, that is to say, edifices made of paper;
on the inside, which is brightly illuminated, is a stage whereon actors
and singers give plays and concerts. Another great festival, where music
plays a leading part, takes place on the fifteenth day of the eighth
moon. On this evening the Chinese imagine that a _hare_ is seen in the
moon, and to the sound of many instruments, the entire population turn
out to look at it. It is customary for friends to send each other cakes,
on which the figure of a hare is moulded, in sugar. Concerts are an
important accessory to this festival with both rich and poor; the former
make every effort to secure the best singers and performers for their
entertainment on this holiday; the latter, not being able to have the
more delicate instruments content themselves with a clatter of basins,
pots and frying-pans, and make with these a sort of burlesque concert.
Public-domain text, read in full here on John Shaqi.
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