Broadsides; Chapbooks; Street literature -- Great Britain
“These Halfpenny Sheets form almost the entire poetry of Seven Dials,
and though they teach little or no history, they show, at least, what
kind of poetry finds the most favourable reception and the readiest
sale among our lowest classes. As far as we can ascertain, there are in
London eight or ten publishers of the Fortey and Disley stamp--though
not on so large a scale. Of ballad-singers and patterers of prose
recitations (such as the ‘Political Catechism’), there may be about a
hundred scattered over the metropolis, who haunt such localities as
the New Cut, Tottenham-court-road, Whitechapel, and Clerkenwell Green;
and according to the weather, the state of trade, and the character
of their wares, earn a scanty or a jovial living by chanting such
strains as we have now laid before our readers. ‘Songs if they’re over
religious,’ says one minstrel, ‘don’t sell at all; though a tidy moral
does werry well. But a good, awful murder’s the thing. I’ve knowed,’
says our authority, ‘a man sell a ream a day of _them_.--that’s twenty
dozen you know;’ and this sale may go on for days, so that with forty
or fifty men at work as minstrels, a popular ballad will soon attain
a circulation of thirty or forty or fifty thousand. Now and then the
publisher himself composes a song, and in this case is saved the
cost of copyright, though his expenses are very trifling, even when
he has to purchase it. If one of the patterers writes a ballad on a
taking subject, he hastens at once to Seven Dials, where, if accepted,
his reward is ‘a glass of rum, a slice of cake, and five dozen
copies,’--which, if the accident or murder be a very awful one, are
struck off for him while he waits. A murder always sells well, so does
a fire, or a fearful railway accident. A good love story, embracing
‘infidi perjuria nautæ
Deceptamque dolo nympham’
often does fairly; but politics among the lowest class are a drug.
Even the famous _Ballad on Pam’s death didn’t do much_ except among
the better sort of people; and though the roughs are fond of shouting
_Reform_, they don’t care, it would seem, to spend money on it.”
We have submitted this wretched doggrel to our readers, that they may
form some idea of the kind of Street Literature which is still popular
with so many of the lower classes. It is humiliating, in the midst of
all the schools and teaching of the present day, to find such rubbish
continually poured forth, and eagerly read. Still there are some
redeeming features in this weary waste. _Taken as a whole_, the moral
tone of the ballads, if not lofty, is certainly not bad; and the number
of single stanzas that could not be quoted in these pages on account of
their gross or indecent language is very small; while that of entire
Ballads, to be excluded on the same ground, is still smaller.
THE FEMALE HUSBAND, WHO HAD BEEN MARRIED TO ANOTHER FEMALE FOR
TWENTY-ONE YEARS.
Public-domain text, read in full here on John Shaqi.
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