If American burlesque did not die with John Brougham, it has hardly yet
recovered from the shock of his death; and he certainly deserves a
colossal statue in its Pantheon.
[Illustration: HENRY E. DIXEY AS THE COUNTRY GIRL, IN "ADONIS."]
ACT IV.
INFANT PHENOMENA OF AMERICA.
INFANT PHENOMENA OF AMERICA.
"So cunning, and so young, is wonderful."
_Richard III._, Act iii. Sc. 1.
While the "Grand Spectacle of the _Black Crook_" was enjoying its fourth
successful run at Niblo's Garden, New York, in the season of 1873, a
precociously bright little musician of some six or seven years of age, so
advertised in the bills, and to all appearances no older, preternaturally
large in head and small in person, won the affection and the sympathy of
all those who witnessed his performances. During his very short career he
was one of the chief attractions of that attractive variety show, for the
_Black Crook_ in its later years was nothing more than a variety
entertainment; and when, so soon after the close of his engagement here,
the news of his death came from Boston, few of the established favorites
of many years have been so sincerely mourned as was this unfortunate
little James G. Speaight.
Scarcely larger than the violin he carried, dressed in a bright court
suit of blue satin, with powdered wig and silken hose and buckled shoes,
like a prince in a fairy tale, he seemed the slightest mite of a performer
who ever stood behind the foot-lights. His hands were scarcely big enough
to grasp his instrument; his arms and his legs were not so thick as his
bow; a bit of rosin thrown at him would have knocked him down; and he
could have been packed away comfortably in the case of his own fiddle. As
a musician he certainly was phenomenal. It was said of him that when only
four years of age, and after a single hearing, he could play by ear the
most difficult and complicated of musical compositions, and that he could
remember an air as soon as he could utter an articulate sound. Before he
was five years old he was sole performer at concerts given under his
father's management in some of the provincial towns of England; and when
he first appeared in this country he not only played solos upon his
violin, displaying decided genius and technical skill, but he conducted
the large orchestra standing on a pile of music-books in the chair of the
leader, that he might be seen of the musicians he led.
[Illustration: MUNRICO DENGREMONT.]
Public-domain text, read in full here on John Shaqi.
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