Curious Facts in the History of Insects; Including Spiders and Scorpions.: A Complete Collection of the Legends, Superstitions, Beliefs, and Ominous Signs Connected with Insects; Together with Their Uses in Medicine, Art, and as Food; and a Summary of Their Remarkable Injuries and Appearances.Cowan, Frank
History
Curious Facts in the History of Insects; Including Spiders and Scorpions.: A Complete Collection of the Legends, Superstitions, Beliefs, and Ominous Signs Connected with Insects; Together with Their Uses in Medicine, Art, and as Food; and a Summary of Their Remarkable Injuries and Appearances.
Cowan, Frank
Insects
In the Treasvrie of Avncient and Moderne Times, printed in London, the
year 1619, we find the following: “_Alexander Alexandrinus_ proceedeth
farther, affirming that he beheld one wounded by this Spider, to dance
and leape about incessantly, and the Musitians (finding themselves
wearied) gave over playing: whereupon, the poore offended dancer, hauing
vtterly lost all his forces, fell downe on the ground, as if he had bene
dead. The Musitians no sooner began to playe againe, but hee returned to
himselfe, and mounting vp vpon his feet, danced againe as lustily as
formerly hee had done, and so continued dancing still, til hee found the
harme asswaged, and himselfe entirely recovered. Heereunto he addeth,
that when it hath happened, that a man hath not beene thorowly cured by
Musique in this manner; within some short while after, hearing the sound
of Instruments, hee hath recouered footing againe, and bene enforced to
hold on dancing, and never to ceasse, till his perfect and absolute
healing, which (questionlesse) is admirable in nature.”[1188]
Robert Boyle, in his Usefulness of Natural Philosophy, among other
stories of the power of music upon those bitten by Tarantulas, mentions
the following: “_Epiphanius Ferdinandus_ himself not only tells us of a
man of 94 years of age, and weak, that he could not go, unless supported
by his staff, who did, upon the hearing of musick after he was bitten,
immediately fall a dancing and capering like a kid; and affirms that
Tarantulas themselves may be brought to leap and dance at the sound of
lutes, small drums, bagpipes, fiddles, etc.; but challenges those, that
believe them not, to come and try, promising them an occular conviction:
and adds what is very memorable and pleasant, that not only men, in whom
much may be ascribed to fancy, but other animals being bitten, may
likewise, by musick, be reduced to leap or dance: for he saith, he saw a
Wasp, which being bitten by a Tarantula, whilst a lutanist chanced to be
by; the musician, playing upon his instrument gave them the sport of
seeing both the Wasp and Spider begin to dance: Annexing, that a bitten
Cock did the like.”[1189]
In an Italian nobleman’s palace, Skippon saw a fellow who was bitten by
a Tarantula; “he danced,” says this traveler, “very antickly, with naked
swords, to a tune played on an instrument.” The Italians say that if
the Spider be immediately killed, no such effects will appear; but as
long as it lives, the person bitten is subject to these paroxysms, and
when it dies he is free. Skippon says that usually they are the poorer
sort of people who say they are bitten, and they beg money while they
are in these dancing fits.[1190]
Public-domain text, read in full here on John Shaqi.
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