Curious, if True: Strange TalesGaskell, Elizabeth Cleghorn
General
Curious, if True: Strange Tales
Gaskell, Elizabeth Cleghorn
Curiosities and wonders -- Fiction; Horror tales; Short stories
We had nearly finished our coffee, and our 'kucken,' and our cinnamon
cake, when heavy splashes fell on our thick leafy covering; quicker and
quicker they came, coming through the tender leaves as if they were
tearing them asunder; all the people in the garden were hurrying under
shelter, or seeking for their carriages standing outside. Up the steps
the miller came hastening, with a crimson umbrella, fit to cover every
one left in the garden, and followed by his daughter, and one or two
maidens, each bearing an umbrella.
'Come into the house--come in, I say. It is a summer-storm, and will
flood the place for an hour or two, till the river carries it away.
Here, here.'
And we followed him back into his own house. We went into the kitchen
first. Such an array of bright copper and tin vessels I never saw; and
all the wooden things were as thoroughly scoured. The red tile floor
was spotless when we went in, but in two minutes it was all over slop
and dirt with the tread of many feet; for the kitchen was filled, and
still the worthy miller kept bringing in more people under his great
crimson umbrella. He even called the dogs in, and made them lie down
under the tables.
His daughter said something to him in German, and he shook his head
merrily at her. Everybody laughed.
'What did she say?' I asked.
'She told him to bring the ducks in next; but indeed if more people
come we shall be suffocated. What with the thundery weather, and the
stove, and all these steaming clothes, I really think we must ask leave
to pass on. Perhaps we might go in and see Frau Scherer.'
My friend asked the daughter of the house for permission to go into an
inner chamber and see her mother. It was granted, and we went into a
sort of saloon, over-looking the Neckar; very small, very bright, and
very close. The floor was slippery with polish; long narrow pieces of
looking-glass against the walls reflected the perpetual motion of the
river opposite; a white porcelain stove, with some old-fashioned
ornaments of brass about it; a sofa, covered with Utrecht velvet, a
table before it, and a piece of worsted-worked carpet under it; a vase
of artificial flowers; and, lastly, an alcove with a bed in it, on
which lay the paralysed wife of the good miller, knitting busily,
formed the furniture. I spoke as if this was all that was to be seen in
the room; but, sitting quietly, while my friend kept up a brisk
conversation in a language which I but half understood, my eye was
caught by a picture in a dark corner of the room, and I got up to
examine it more nearly.
Public-domain text, read in full here on John Shaqi.
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