Curious Myths of the Middle AgesBaring-Gould, S. (Sabine)
History
Curious Myths of the Middle Ages
Baring-Gould, S. (Sabine)
Folklore; Legends -- History and criticism; Tales, Medieval
A marble monument representing the papess with her baby was
erected on the spot, which was declared to be accursed to all ages.
I have little doubt myself that Pope Joan is an impersonification of
the great whore of Revelation, seated on the seven hills, and is the
popular expression of the idea prevalent from the twelfth to the
sixteenth centuries, that the mystery of iniquity was somehow working
in the papal court. The scandal of the Antipopes, the utter
worldliness and pride of others, the spiritual fornication with the
kings of the earth, along with the words of Revelation prophesying the
advent of an adulterous woman who should rule over the imperial city,
and her connection with Antichrist, crystallized into this curious
myth, much as the floating uncertainty as to the signification of our
Lord's words, "There be some standing here which shall not taste of
death till they see the kingdom of God," condensed into the myth of
the Wandering Jew.
The literature connected with Antichrist is voluminous. I need only
specify some of the most curious works which have appeared on the
subject. St. Hippolytus and Rabanus Maurus have been already alluded
to. Commodianus wrote "Carmen Apologeticum adversus Gentes," which has
been published by Dom Pitra in his "Spicilegium Solesmense," with an
introduction containing Jewish and Christian traditions relating to
Antichrist. "De Turpissima Conceptione, Nativitate, et aliis Præsagiis
Diaboliciis illius Turpissimi Hominis Antichristi," is the title of a
strange little volume published by Lenoir in A. D. 1500, containing
rude yet characteristic woodcuts, representing the birth, life, and
death of the Man of Sin, each picture accompanied by French verses in
explanation. An equally remarkable illustrated work on Antichrist is
the famous "Liber de Antichristo," a blockbook of an early date. It is
in twenty-seven folios, and is excessively rare. Dibdin has reproduced
three of the plates in his "Bibliotheca Spenseriana," and Falckenstein
has given full details of the work in his "Geschichte der
Buchdruckerkunst."
There is an Easter miracle-play of the twelfth century, still extant,
the subject of which is the "Life and Death of Antichrist." More
curious still is the "Farce de l'Antéchrist et de Trois Femmes"--a
composition of the sixteenth century, when that mysterious personage
occupied all brains. The farce consists in a scene at a fish-stall,
with three good ladies quarrelling over some fish. Antichrist steps
in,--for no particular reason that one can see,--upsets fish and
fish-women, sets them fighting, and skips off the stage. The best book
on Antichrist, and that most full of learning and judgment, is
Malvenda's great work in two folio volumes, "De Antichristo, libri
xii." Lyons, 1647.
For the fable of the Pope Joan, see J. Lenfant, "Histoire de la
Papesse Jeanne." La Haye, 1736, 2 vols. 12mo. "Allatii Confutatio
Fabulæ de Johanna Papissa." Colon. 1645.
FOOTNOTE:
[29] These Annals were written in 1135.
Public-domain text, read in full here on John Shaqi.
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