Customs and Fashions in Old New EnglandEarle, Alice Morse
History
Customs and Fashions in Old New England
Earle, Alice Morse
New England -- Social life and customs -- To 1775
Shortly after the invention of balloons came their advent as popular
shows into New England towns. In Hartford they appeared under the
pompous title of "Archimedial Phaetons, Vertical Aerial Coaches, or
Patent F[oe]deral Balloons," and the public was notified that "persons
of timid nature might enter with full assurance of safety." These
f[oe]deral balloons not only served to amuse New Englanders, but were
strongly recommended to "Invaletudinarians" as hygienic and medicinal
factors, in that through their employment as carriers they caused
"sudden revulsion of the blood and humours" to the benefit of the
aeronautic travellers.
The first stepping-in of theatrical performances was to the lively-tunes
of jigs and corams on a stage. In 1713 permission was asked to act a
play in the Council House in Boston. Judge Sewall's grief and amazement
at this suggestion of "Dances and Scenical Divertessiments" within those
solemn walls can well be imagined. Ere long little plays called drolls
were exhibited; puppet shows such as "Pickle Herring," or the "Taylor
ryding to Brentford," or "Harlequinn and Scaramouch." About 1750 two
young English strollers produced Otway's "Orphans" in a Boston
coffee-house. Prompt and strict measures by Boston magistrates nipped in
the bud this feeble dramatic plant, and Boston had no more plays for
many years.
Many ingenious ruses were invented to avoid the legal obstructions
placed in the way of play-acting. "Histrionic academies" tried to sneak
in on the stage; and in 1762 a clever manager gave an entertainment
whose playbill I present as the most amusing example of specious and
sanctimonious truckling extant.
KINGS ARMS TAVERN--NEWPORT RHODE ISLAND.
On Monday, June 10th, at the Public Room of the above Inn will be
delivered a series of
MORAL DIALOGUES
_in Five Parts_
Depicting the evil effects of jealousy and other bad passions and
Proving that happiness can only spring from the pursuit of Virtue.
_Mr Douglass_--Will represent a noble and magnanimous Moor called
Othello, who loves a young lady named Desdemona, and after he
marries her, harbours (as in too many cases) the dreadful passion
of jealousy.
_Of jealousy, our beings bane,
Mark the small cause, and the most dreadful pain._
_Mr Allyn_--Will depict the character of a specious villain, in the
regiment of Othello, who is so base as to hate his commander on
mere suspicion, and to impose on his best friend. Of such
characters, it is to be feared, there are thousands in the world,
and the one in question may present to us a salutary warning.
_The man that wrongs his master and his friend,
What can he come to but a shameful end?_
Public-domain text, read in full here on John Shaqi.
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