Cycling art, energy, and locomotion : $b A series of remarks on the development of bicycles, tricycles, and man-motor carriagesScott, Robert P. (Robert Pittis)
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Cycling art, energy, and locomotion : $b A series of remarks on the development of bicycles, tricycles, and man-motor carriages
Scott, Robert P. (Robert Pittis)
Bicycles; Cycling; Tricycles
Unfortunately, it is next to impossible to practically test the
durability and general excellence of a wheel before purchasing.
The buyer therefore has to depend upon his skill in judging of
workmanship. It is impossible to give many set rules that would be of
much assistance to a prospective buyer, but of one thing he can be
reasonably certain,—if he finds a single poorly made or undeniably
botched part, it is a valid cause for a rigid examination into all
others. A first-class manufacturer is not liable to botch a single
part, but if you find that he has done so, it is well to be very
cautious in patronizing him. It is generally a safe plan to examine
a machine that has been in use in order to judge of the durability
of a maker’s work, though durability will generally accompany good
workmanship and finish when new. A cheap quality of nickel-plating
often gives the appearance of a good job, but it will peel and rust;
and to prevent this good platers put on a coat of copper under the
nickel as a base upon which to plate. It is difficult to determine
in a new machine the amount of the nickel deposit, or whether it is
upon a copper base; hence it will be seen that the maker’s work in the
past is the only standard from which such matters can be judged. With
enamel and paint it is much more easy to determine the quality, though
a glossy surface is not necessarily a true gauge of good work. It is
the finish of the under surfaces that takes the labor. A good job of
painting is to my mind superior to enamel or japan, but it is attended
with considerable labor. In olden times, when paint was more common, a
maker could be identified by the finish and striping of his machines;
there was such a difference in the quality of the work. Now, however,
since the dead-black japan rules the day, it is more difficult to judge
between makers by the outward finish of their wares. There cannot be
much difference in the amount of labor put upon the work by the various
manufacturers, for the reason that a certain process has to be gone
through before it can be done at all. _À propos_ of striping, it may be
considered gaudy, but an artistic job sets off a machine as compared
with a plain black now in vogue.
The quality of rubber in the tire of a bicycle affords a splendid field
for an expert; only those who have to use rubber in other connections
realize the great differences in its quality. Rubber can be made
absolutely useless by adulteration; and when we see how easily some
tires cut, we cannot doubt that makers often sacrifice quality for
the sake of price. Buyers should notice carefully the old tires of
different makers, and see how they have stood the test.
Public-domain text, read in full here on John Shaqi.
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