Cycling art, energy, and locomotion : $b A series of remarks on the development of bicycles, tricycles, and man-motor carriagesScott, Robert P. (Robert Pittis)
History
Cycling art, energy, and locomotion : $b A series of remarks on the development of bicycles, tricycles, and man-motor carriages
Scott, Robert P. (Robert Pittis)
Bicycles; Cycling; Tricycles
In America the larger concerns are so vastly predominant over the
small that the buyer has only to decide between articles of established
reputation; the American factories do not seem to have ever been small.
In a large majority of cases there are certain peculiarities about
the machines which not only settle the matter _nationally_, but as
to individual makers. Some little point at once takes the eye or the
heart of the buyer, and that settles it all; and perhaps it is best it
should be so. Nationally considered, the English have had much larger
and more varied experience in the cycle industry than we have had;
they have more experts in the line and are nearer to the fountain head
of supplies, particularly in regard to tubing, and no matter how soon
we on this side may have tube-works, it will be some time before we
can depend upon them. The English have taken advantage of their good
fortune, and, together with the natural precedence in this art which
we all agree has been allotted to them, they have gone ahead without
the erroneous veneration generally felt in favor of their grandfather’s
method, which has blinded them so often in their advancement in other
arts. It was a marvellous sight to the writer to see a bicycle firm,
flush with the times in all their work, in a factory almost nestling
against other places devoted to making fusee watches with “Granddaddy
winding-apparatuses,” making watch-cases by gradually punching them
into a conical cast-iron cavity, cutting alleged screw bezels with a
chaser in a lathe pulled back by a hickory spring, and such eocenic
appliances.
Public-domain text, read in full here on John Shaqi.
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