Americans -- England -- Fiction; Chauffeurs -- Fiction; Love stories
The Mercury arrived at Ludlow long before Vanrenen crossed the Wye
Bridge at Hereford. Medenham stopped the car at "The Feathers,"
that famous magpie among British Inns, where Cynthia admired and
photographed some excellent woodcarving, and saw an iron-studded front
door which has shut out revellers and the night on each alternate
round of the clock since 1609, if not longer.
If they hurried over luncheon they were content to dawdle in the
picturesque streets, and Cynthia was reluctant to leave the fine old
castle, in which Milton's "Masque of Comus" was first played on
Michaelmas night of 1634. At first, she yielded only to the flood of
memories pent in every American brain when the citizen of the New
World stands in one of these treasure-houses of history and feels the
passing of its dim pageants; when they stood together in the ruined
banqueting hall, Medenham gave play to his imagination, and strove to
reconstruct a scene once spread before the bright eyes of a maiden
long since dead.
"You will please regard yourself," he said, "as the Lady Alice
Egerton, daughter of the Earl of Bridgwater, Lord President of the
Marches of Wales, who, with her two brothers, was benighted in the
Forest of Heywood while riding to Ludlow to witness her father's
installation in his high office. Milton was told of her adventures by
Henry Lawes, the musician, and he wrote the 'Masque of Comus' to
delight her and her friends. Have you read 'Comus'?"
"No," said Cynthia, almost timidly, for she was beginning to fear this
masterful man whose enthusiasm caught her to his very soul at such
moments.
"Ah, but you shall. It ranks high among the miracles of English poetry
wrought by Milton. Many a mile from Ludlow have I called to mind one
of its incomparable passages:
A thousand phantasies
Begin to throng into my memory--
Of calling shapes, and beckoning shadows dire,
And airy tongues that syllable men's names
On sands, and shores, and desert wildernesses.
And now you, the heroine of the masque, must try to imagine that you
are lost in a wild wood represented by a carpet spread here, in the
center of the hall. Seated there on a dais, is your father the Earl,
surrounded by his officers and retainers. Near you are your brothers,
Lord Brackley and Thomas Egerton, so blinded by sprites that they
cannot see you, though keen enough to note the bright eyes and
flushed cheeks of other ladies of high degree bidden to Ludlow from
neighboring shires for the merry-making. And mark you, this is no rude
gathering of unlettered squires and rough men-at-arms. How is it
possible that an uncultured throng should listen rapturously to the
noblest performance of the kind that exists in any language, wherein
each speech is a majestic soliloquy, eloquent, sublime, with an
uncloying word-music acclaimed by three centuries?"
Public-domain text, read in full here on John Shaqi.
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