Artists -- Juvenile fiction; France -- Juvenile fiction; Voyages and travels -- Juvenile fiction; Young women -- Juvenile fiction
At last the sound of a mortar. The crowd which had been strolling
leisurely about the course began to squeeze in under the fence to their
places in the box, or scramble, goat-like up the steep tiers of wooden
seats. Urged on by the carabinieri, those delightful, self-contained,
tweedledum and tweedledee police of Italy, loiterers were soon cleared
from the course and way was made for a group of little men, like blue
clad gnomes. These, pushing tiny wheelbarrows, swarmed along the
roadway. Their job seemed to be to cover with earth any places where
the original paving stones might show through.
Then again the sound of the mortar. And here they come!
First the Ensign Bearer of Siena, with the simple black and white flag
of the city. Then the Palace Trumpets, the picturesque long trumpets
with their pendent banners carried by youthful pages in jaunty velvet
caps, slashed doublet and sleekly silken hose. Then the musicians,
all in costume and the crossbowmen with their ancient weapons and at
last a group from each _contrada_. In each group a drummer, two flag
bearers, a Lord or Captain on horseback in gorgeous armor, of silver,
or bronze, or steel beautifully inlaid with gold that glittered in the
sunlight. Behind him his squires, his ensign bearers, and on the race
horse, the jockey who would ride later, in the race.
Slowly the procession passed around the course. Before the judges’
stand, and four times as they circled the square each group paused that
the drummers might perform their little rhythm, that the banner bearers
might dance their skillful little steps.
Cynthia sat enthralled. Almost she had to pinch herself to believe it
was real. Glorious in color as an old window of stained glass; silks
and velvets, knights in full armor, pages, banners and trumpeters, and
at the very end the Palio itself, a great banner drawn in a cart, with
the staked flags of the _contrada_ around it.
The procession was over. Cynthia sat back and cracked a few nuts and
ate them. Just to return to reality for a while, after so much beauty,
was a rest and a relief. She had thought so intensely, packed it
down so tightly into her memory that no least gesture of it might be
forgotten. Even so, she felt as though she would have liked a week of
that procession in order to be able to remember it all.
Again the mortar.
The race was about to start. Ten restive little horses ranged behind
a rope, ten jockeys struggling to keep them in line. The sound of the
gun. They’re off!
Panting, scrambling, hurled against the Dog’s Box, cutting corners,
they tore around the course, and the piazza was one vast shout as
though from a single throat. Cynthia, on her feet like the rest,
stamped and clapped and shouted with the others. The Snail, the little
brown Snail was among the leaders. Once around the course. Three times
was the extent of the race. And the starting post was in sight again.
But one rider was off--which was it?
Public-domain text, read in full here on John Shaqi.
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