Artists -- Juvenile fiction; France -- Juvenile fiction; Voyages and travels -- Juvenile fiction; Young women -- Juvenile fiction
From behind them came a musical shout. Luigi warning off another
gondola. Beyond him, Venice glowed pearl pink in the late light of
afternoon, the long paddle made a soft ripple on the blue lagoon. Dark
Italian eyes looked over their shoulders, whole heartedly, honestly
as curious as Cynthia, and two heads, one brown, one blond bent close
together.
Cynthia untied the knot, with slim fingers that were cold and
loosened the rumpled white paper. A small box of blue stained leather
beautifully tooled in gilt. She lifted the lid.
“Oh Chick ... oh you darling! Chick, is it really, really for me?”
On the third finger of her right hand she slipped it. Quaint old green
gold, delicately lacy as the collar of a doge, held firmly in its heart
a single pink pearl. Chick reached and took the hand in his, slipped
off the ring, slid into his palm the little emerald she had worn all
summer, and in its place substituted the other. It fitted as though it
had been made for her. Perhaps it was.
“Just for you, yourself,” he said. “It’s quite old, four or five
hundred years they told me. I got it yesterday afternoon in one of
those shops you looked at, Cynthia. And I’ve been frantic all day. ...
I wanted to tell you, just this way, in a gondola, with just this ring.
And I couldn’t, darling, tell you before.”
“Chick, it’s the most beautiful, beautiful thing I ever saw in my whole
life.”
“Isn’t it?” said Chick, but when she glanced up his eyes were not
on the ring. “Tomorrow,” he said, “we’ll see the American consul. I
understand he’s the marrying guy about here.”
Behind them suddenly came a great shout, baritone, Italian. “_Yum
tum tumti tumtum. ... Yum tiddilty tum, tum ti tumitytum_. ...”
Confidentially Luigi leaned forward, whispered in tones that might have
been heard back in Venice. “That, ladiee, gentleman ... that ver’ fine
Venezia loove song. You like?”
Transcriber’s Notes:
Inconsistent hyphenation, punctuation, spelling, the use of golash and
galosh and poster and paster, and placement of the apostrophe in Little
One’s Magazine and Little Ones’ Magazine have been retained as printed
in the original publication except as follows:
Page 16
had tipped and fallen _changed to_
had tripped and fallen
Page 22
before the senorita and dramatized the _changed to_
before the señorita and dramatized the
Page 24
every step she made took here nearer _changed to_
every step she made took her nearer
Page 33
with small sharp eyes and an opologetic _changed to_
with small sharp eyes and an apologetic
Page 43
a member of the Begger’s Opera
a member of the Beggar’s Opera
Page 47
Its all pearly gray mists _changed to_
It’s all pearly gray mists
Page 52
the _garcon_ of the striped waistcoat _changed to_
the _garçon_ of the striped waistcoat
Page 60
leaned againt the heavy stone balustrade _changed to_
leaned against the heavy stone balustrade
Public-domain text, read in full here on John Shaqi.
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