Of course, Croesus decided that the Delphic oracle was the one that
he must rely upon for guidance in respect to his projected campaign.
And he now began to prepare to consult it in a manner corresponding
with the vast importance of the subject, and with his own boundless
wealth. He provided the most extraordinary and sumptuous presents.
Some of these treasures were to be deposited in the temple, as sacred
gifts, for permanent preservation there. Others were to be offered as
a burnt sacrifice in honor of the god. Among the latter, besides an
incredible number of living victims, he caused to be prepared a great
number of couches, magnificently decorated with silver and gold, and
goblets and other vessels of gold, and dresses of various kinds richly
embroidered, and numerous other articles, all intended to be used in
the ceremonies preliminary to his application to the oracle. When the
time arrived, a vast concourse of people assembled to witness the
spectacle. The animals were sacrificed, and the people feasted on the
flesh; and when these ceremonies were concluded, the couches, the
goblets, the utensils of every kind, the dresses--every thing, in
short, which had been used on the occasion, were heaped up into one
great sacrificial pile, and set on fire. Every thing that was
combustible was consumed, while the gold was melted, and ran into
plates of great size, which were afterward taken out from the ashes.
Thus it was the workmanship only of these articles which was destroyed
and lost by the fire. The gold, in which the chief value consisted,
was saved. It was gold from the Pactolus.
Besides these articles, there were others made, far more magnificent
and costly, for the temple itself. There was a silver cistern or tank,
large enough to hold three thousand gallons of wine. This tank was to
be used by the inhabitants of Delphi in their great festivals. There
was also a smaller cistern, or immense goblet, as it might, perhaps,
more properly be called, which was made of gold. There were also many
other smaller presents, such as basins, vases, and statues, all of
silver and gold, and of the most costly workmanship. The gold, too,
which had been taken from the fire, was cast again, a part of it being
formed into the image of a lion, and the rest into large plates of
metal for the lion to stand upon. The image was then set up upon the
plates, within the precincts of the temple.
Public-domain text, read in full here on John Shaqi.
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