The boy rose and, marching with an increasing rapidity toward the entrance, he struck aside a placid and justifiably injured child, dragged open the door, and slammed it after him with a prodigious and long echoing report. His contempt, holding its proportion in the reduced propriety of the occasion, was like a clap of communistic thunder in an ultra-conservative assembly. For a moment, together with all the others, Lee Randon was outraged; then, with a suppression of his unorderly amusement, he had a far different conception--he saw himself, for no easily established reason, in the person of the rebel who had left behind him the loud announcement of his angry dissent. Helena sought Lee immediately. “That's his mother,” she said in a penetrating whisper, indicating a woman with a resolutely abstracted expression and constrained hands. The children were gathered finally and formed into a line which, to the drumming piano, moved and halted, divided and subdivided. Led by the instructor it was involved in an apparently issueless tangle and then straightened smoothly out. The dancing class at an end, Helena and Gregory, wedged into the seat with Lee in the car, swept into an eager chatter, a rush of questions, that he was unable to follow. A Sara Lane was announced by Helena to be the object of Gregory's affection, and Gregory smugly admitted this to be true. He was going to marry her, he declared further. “Perhaps,” Lee suggested, “you'll change your mind.” “Why, Gregory has four girls,” Helena instructed him. “Well,” Gregory retorted, “I can marry them all.” But what, under this reflected chatter, was his son like? What would he be? And Helena! They eluded him like bright and featureless bits of glass. His effort to draw closer to them was proving a failure; what could he give them safer than their attachment to the imponderable body of public opinion and approval? He had nothing but doubts, unanswerable questions; and a mental, a moral, isolation. It was easier to remain in the dancing class than to be sent out in an agony of revolt and strangling shame. * * * * * Often, during his conversations with Fanny, she returned to the subject of his late New York trip and stay with the Groves. She asked small interested questions, commented on the lavish running of the Grove house; she couldn't, she explained, get nectarines and Belgian grapes in Eastlake; but when she was in the city again she'd bring some out. “Mina Raff's limousine sounds luxurious,” she acknowledged. But Fanny wasn't curious about Mina; after the first queries she accepted her placidly; now that she had withdrawn from the Morrises' lives, Fanny regarded her in the light of a past episode that cast them all together on a romantic screen. What mostly she asked touched upon Savina Grove. “Did they seem happy?” she inquired about the Groves. He replied: “Very. William Grove was quite affectionate when he left for Washington.”