Adultery -- Fiction; Cuba -- Fiction; Runaway husbands -- Fiction
That, of course, was false; but what in the world that would judge,
condemn, him wasn't? He had his memories, Savina's words. A sharper
sense of deprivation stabbed at him. Why, she was gone; Savina was dead.
Her arms would never again go around his neck. The marks of the mules
across her narrow feet! He put out a shaking hand, and Daniel Randon met
it, enveloped it, in a steady grasp that braced him against the lurching
of the wagon.
* * * * *
On the veranda of Daniel Randon's house Lee sat pondering over his
brother's emphatic disconnected sentences. “This conventionality, that
you have been so severe with, is exceedingly useful. It's not too much
to say indispensable. Under its cover a certain limited freedom is
occasionally possible. And where women are concerned--” he evidently
didn't think it necessary even to find words there. “The conventions,
for example, stronger in William Grove than his feelings, saved the
reputation of his wife; they kept Fanny alive and, with her heroic and
instinctive pride, made it possible for you to go back to Eastlake. If
you choose, of course. I can't enter into that. But, if you decide to
return, you won't be supported by noble memories of your affair--was it
of love or honor?--no, an admirable pretence must assist you. The
other, if you will forgive me, is no more than the desire for a cheap
publicity, a form of self-glorification. Expensive. The proper clothes,
you see--invaluable! The body and the intentions underneath are
separate. It is only the thoughtless, the hasty and the possessed who
get them confused.”
The veranda occupied all four sides of Daniel Randon's low, wide-roofed
dwelling, continuous except for the break where an open passage led to
a detached kitchen. Seated in an angle which might be expected to catch
the first movement of the trade winds sweeping, together with night,
from the sea, practically the whole of the batey was laid out before
Lee. The sun was still apparent in a rayless diffusion above a horizon
obliterated in smoke, a stationary cloud-like opacity only thinning
where the buildings began: the objects in the foreground were sharp;
but, as the distance increased, they were blurred as though seen through
a swimming of the vision. The great bulk of the sugar mill, at the left,
like--on the flatness of the land--a rectangular mountain shaken by a
constant rumbling, was indistinct below, but the mirador lifted against
the sky, the man there on look-out, were discernible. The mill, netted
in railroad tracks, was further extended by the storage house for
bagasse--the dry pulpy remnant of the crushed cane--and across its front
stood a file of empty cars with high skeleton sides. There was a noisy
backing and shifting of locomotives among the trains which, filled with
sugar cane, reached in a double row out of sight.
Public-domain text, read in full here on John Shaqi.
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